Suggested Audience Age: Ages 7 and Up
Running Time: 60 minutes, No Intermission
Cast Size: No Chorus • Small (1-10). Vocal Demands: Moderate. Dance Requirements: Some Dancing Required. Good For: Amateur/Community • Professional Theatre.
To request the rights to make merchandise for this show email [email protected].
Vocal Range of Characters:
- 8 – Libretto Vocal
- 8 – Piano Vocal Score
- 1 –
- 1 –
MERRILY - 16. Empathic, cheerful, smart, but lacks confidence.
RYAN SEABLANK The M.C. for the evening. Never seen.
(This role can either be pre-recorded, or performed live offstage. If performed live, the name of the M.C. may be replaced with another name such as a local DJ, the town Mayor, a teacher, etc.)
VIRTUOSA 16. Self-involved, desperate for fame. (Think Rachel from Glee.) GOGO is her older brother.
GEYSER 14. The new kid. Quirky, into video games, sci-fi and outer space. His speech cadence often resembles that of a sci-fi space captain.
GOGO 17. Active, athletic. Exhibits leadership qualities, but can be overly competitive. VIRTUOSA is his younger sister.
DYLAN 16. The lead singer of No Direction. Massive ego. He stole away GOGOs girlfriend, Lindsey.
(This character is played by the actor who plays GEYSER)
MAD LIBS LIVE takes place in the present in Blankville Central High School. A unit set is recommended.
Accompaniment/Backing Tracks are available for download from www.rnh.com/mydownloads upon booking.
There is no live orchestration available for this show.
Hello, and welcome to MAD LIBS LIVE!
Directing this silly, wacky, goofy show is a joy. Here are a few things that we found useful in the original New York production that may also be useful to you.
• Pace is key. We jump between backstage, onstage, and flashback worlds in an instant, so a flexible lighting and scenic setup that can become different “locations” in a few seconds is preferred. A few colorful, abstract units (that, thematically, could represent the four characters and the four parts of speech) were enough to give us differing locations and different levels, and gave space to our audiences to use their imaginations. The script does a good job of telling us what is happening and where we are, so don't feel like you have to define every space in a “realistic” way.
• Make sure you have a plan for rehearsing the MAD LIBS LIVE! words! In our Off-Broadway rehearsal process, we had hundreds of words from a school workshop of the show, which gave our actors several weeks of real experience pulling words from buckets and incorporating them into the scenes and songs. The greatest fun of this show is watching that instant when the actors (and the characters) get a completely silly, off-the-wall word and yet still have to incorporate it into the show. Also, backstage and onstage “bucket-tracking” might need to be a part of your rehearsal process depending on how many buckets you choose to use and where you want them to come from when they are needed. We kept it simple and had one bucket for each part of speech (four total), and had specific tracking for who was holding them when, and when they came in and out.
• Along those lines – definitely allow room for the “improv” vibe of the show! Of course, you will have choreography and staging, but for the many moments where words are pulled from buckets, I found it effective to leave space for the actors to improvise in their actions and their “moves.” You want to create a feeling that anything could happen – what word is going to be next, and how is that going to fit into Virtuosa, Geyser, Gogo, or Merrily's story?
• Lastly, the audience is a key and ever-present character in this show. After all, they are writing part of the script and songs! Especially with kids and family audiences, the actors should feel encouraged to be present with the people watching the show, and not just in the moments written into the script. Let the audience cheers, laughs, squirms, and gasps be a part of the characters' world, and at certain moments, the characters may even respond to them. You will have to use your discretion with your actors and the audiences specific to your production, but remember that this isn't a typical show where the audience sits in the dark in silence – from the very beginning, Merrily brings them on board to help!
Have a wonderful time with this hilarious musical!
Director, MAD LIBS LIVE!, Off-Broadway at New World Stages