Footloose

A CONCORD THEATRICALS TITLE

Footloose

Full-Length Musical, Dramatic Comedy  /  7w, 8m plus ensemble

Stage Adaptation by Dean Pitchford and Walter Bobbie
Based on the original screenplay by Dean Pitchford
Music by Tom Snow
Lyrics by Dean Pitchford
Additional Music by Eric Carmen, Sammy Hagar, Kenny Loggins and Jim Steinman

The explosive movie musical bursts onto the live stage! With dynamic new songs augmenting the powerhouse hits from its bestselling Oscar-nominated score, Footloose celebrates the exhilaration of youth, the wisdom of listening to one another, and the power of forgiveness.

Image: 2019 Kennedy Center Production (Jeremy Daniel)

  • Cast Size
    Cast Size
    7w, 8m plus ensemble
  • Duration
    Duration
    105 Minutes
  • SubGenre
    Subgenre
    Adaptations (Stage & Screen)
  • Audience
    Target Audience
    Appropriate for all audiences
Accolades
Accolades
  • Nominee: 1985 Academy Award, Best Original Song (“Footloose”)
    Nominee: 1985 Academy Award, Original Song (“Let’s Hear It For The Boy”)
    Nominee: 1985 Grammy Award, Best Soundtrack Album
    Nominee: 1999 Grammy Awards, Best Musical Show Album
    Nominee: 1999 Tony® Award, Best Book of a Musical
    Nominee: 1999 Tony® Award, Best Score
    Number One! Billboard Top 200 of 1984

Details

Summary
When Ren and his mother move from Chicago to a small farming town, he is prepared for the inevitable adjustment period at his new high school. But he’s not prepared for the rigorous local edicts, including a ban on dancing instituted by the local preacher, who is determined to exercise control over the town’s youth. When the reverend’s rebellious daughter sets her sights on Ren, her roughneck boyfriend tries to sabotage Ren’s reputation, with many of the locals eager to believe the worst about the new kid. The heartfelt story that emerges pins a father longing for the son he lost against a young man aching for the father who walked out on him.

To the rockin’ rhythm of its Oscar and Tony-nominated Top 40 score, augmented with dynamic new songs, Footloose celebrates the wisdom of listening to young people while guiding them with a warm heart and open mind.

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History
Footloose first burst onto the silver screen in 1984 and proved to be one of the year’s most successful motion pictures. The soundtrack recording reached #1 on the Billboard charts, and went on to sell over 17 million copies worldwide, generating such Top Forty hits as its title song and “Let’s Hear It For The Boy" (both of which received Academy Award nominations), plus “Almost Paradise,” “Holding Out For A Hero,” and “I’m Free (Heaven Helps the Man).” With a screenplay and lyrics by Oscar winner Dean Pitchford, the story focused on young people, much like his previous, and wildly successful movie musical Fame.

Footloose opened on Broadway on October 22, 1998. The next day, the show broke the box office record for the Richard Rodgers Theatre, where it continued to thrill audiences through July 2000.

After the Broadway run, the creators made changes throughout the libretto, excised three songs from the original score, and restored one (“Still Rockin’,” available on the newly mastered Broadway CD from Ghostlight Records). The reaction to the ‘new’ Footloose was immediate and enthusiastic; a tour in the U.K. led to a West End engagement, which in turn triggered excitement throughout Europe and around the globe.

In 2011, Paramount Pictures’ remake of Footloose – with a screenplay by Dean Pitchford and the film’s director Craig Brewer – brought this heartwarming story and electrifying music to a whole new generation.

Act I

A few days later, in Bomont, Ren and Ethel attend a church service led by fiery conservative minister Shaw Moore (“On Any Sunday”). After her father’s lengthy sermon on the evils of “rock & roll and the endless chant of pornography,” Shaw’s daughter Ariel runs off to a gas station to meet her delinquent boyfriend Chuck Cranston, along with his buddies Travis and Lyle. Chuck and Ariel have a purely physical relationship (“The Girl Gets Around”), and Ariel’s father arrives in time to catch Chuck and Ariel in a clinch.

The next day, Ren shows up for school and befriends Willard Hewitt, a slow-witted cowboy with a good heart. Ren tells Willard about the dancing he used to do in Chicago (“I Can’t Stand Still”). The school principal reprimands Ren for dancing, which is expressly forbidden in Bomont. Willard defends Ren, explaining that he’s new in town and doesn’t know the rules. When the principal leaves, Rusty, madly in love with Willard, admires him for defending Ren. Rusty and her friends, Wendy Jo and Urleen, tell Ren that Shaw Moore and the town council banned dancing four years ago, after a horrifying car accident killed four kids returning from a dance. The girls warn Ren to keep a low profile. Time passes, and Ren faces increasing rejection and scrutiny from his small-town neighbors (“Somebody’s Eyes”).

At the Moore house, Ariel returns home to a disgruntled Shaw, who stubbornly ignores her repeated attempts to engage in conversation. Exasperated, Ariel storms out. Vi tries to help Shaw make peace, but he shuts her down and exits. Vi, Ethel and Ariel separately lament their inability to express themselves and be heard (“Learning To Be Silent”).

After school, several of the students hang out at a restaurant called the Burger Blast, where Ren has just been hired as a waiter – on roller skates. Ariel flirts with Ren, but Willard warns Ren to be careful; Chuck Cranston will not be happy if Ren and Ariel connect. Ren asks Willard about Rusty; Willard thinks she’s good-looking but he never knows what she’s talking about. Ariel tells her friends she wants to find a decent guy (“Holding Out For A Hero”). Chuck shows up in a fury and starts yelling at Ariel. Ren and Willard come to her defense, and Betty Blast, the restaurant owner, steps in to break up the fight.

That evening, Ariel takes Ren to her secret place beneath the train tracks, where she admits how much she hates living in Bomont. Ren walks Ariel home, where Shaw and Vi have been playing bridge with a few friends. Shaw and Vi are shocked that Ariel had sneaked out of her room. Ariel tells Shaw he treats her like a prisoner. Everyone disperses, leaving Shaw alone to ponder his problematic role as both preacher and a father (“Heaven Help Me”).

At school, Ren arrives late for gym class, injured from an altercation the night before. The coach has no sympathy, and demands extra pushups. When the coach leaves. Ren complains that the citizens of Bomont are so “wound up.” Willard quips that they “oughta take the coach dancing,” and Ren realizes that a dance would be the perfect way to alleviate the teenagers’ pressures and make a statement to Shaw and the town council. Ren shares his plan with all of the students and eventually wins them over. Shaw learns about the dance and vows to do anything within his power to prevent it (“I’m Free/Heaven Help Me”).

Act II

Ren, Ariel, Willard and Rusty visit the Bar-B-Que, a country-western dance hall in a neighboring town (“Still Rockin’”). Rusty repeatedly attempts to dance with Willard, but he weasels his way out, dragging Ren off to the bar, where he confesses he doesn’t know how to dance. Rusty overhears them, as do several cowboys, who begin to mock Willard. Rusty passionately comes to his defense (“Let’s Hear It For The Boy”). During Rusty’s song, Ren teaches Willard to dance, and Willard eventually whips off a dazzling dance combination, much to Rusty’s surprise.

Chuck Cranston tells the Moores that Ariel is not where they think she is, and Vi and Shaw grow worried. When Ariel later claims she’d been at her friend’s house studying, Shaw confronts her for lying. After another argument between Shaw and Ariel, Vi urges her husband to soften (“Can You Find It In Your Heart?”).

Meanwhile, Ren, Willard and their friends rehearse the speech they plan to give to the town council (“Dancing Is Not A Crime”). When Ren grows discouraged, Willard shares some of his mother’s advice (“Mama Says [You Can’t Back Down]”). Ariel shows up with a black eye; Chuck beat her up and “ordered” her to stop seeing Ren. Ren and Ariel return to their spot under the train tracks, and Ariel reveals that her brother died in the car accident that led to the dancing ban. She gives Ren a Bible marked with various passages to use for his motion, and they both realize they’ve fallen in love (“Almost Paradise”).

At the town council meeting, Ren speaks up, quoting scripture to support his proposal. Though the crowd responds enthusiastically, the council dismisses the motion.

After the meeting, Ethel explains that Shaw had those votes locked no matter what; she then convinces Ren to talk to him face to face. Ren tells Shaw that he should not take his anguish about his son’s death out on the entire town. They argue, but when Ren points out that they’re both dealing with loss — Moore’s loss of his son, Ren’s loss of his father — they recognize a common bond. When Ren leaves, Shaw struggles with what to do (“Heaven Help Me” Reprise).

At church the next morning, Shaw tells the whole congregation that he will allow the teenagers to hold a dance. Everyone is overjoyed. Ren asks Ariel to the dance and Willard invites Rusty, telling her that he is even willing to dance with her. After the crowd leaves, Shaw tells Vi how much he loves her and confesses his regrets (“Can You Find it in Your Heart?” Reprise).

At the dance, the teenagers celebrate their win. As the music crests, Shaw and Vi suddenly appear in the doorway; everyone freezes. After a tense moment, Shaw and Vi join the dancing and the entire town rejoices (Finale: “Footloose”).
PRINCIPALS
2 Women / 2 Teen Girls / 1 Man / 3 Teen Boys

FEATURED
3 Women / 3 Teen Boys /1 Man

REN MCCORMACK – teenage boy from Chicago (Range: D3-C5)
ETHEL MCCORMACK – his mother (Range: A3-D5)
REVEREND SHAW MOORE – the minister of Bomont (Range: A2-F#4)
VI MOORE – his wife (Range: A3-Db5)
ARIEL MOORE – their teenage daughter (Range: G3-Eb5)
LULU WARNICKER – Ren's aunt
WES WARNICKER – her husband
COACH ROGER DUNBAR – the high school gym teacher
ELEANOR DUNBAR – his wife
RUSTY – Ariel's best friend (Range: A3-F#5 (opt. F#6))
URLEEN – Ariel's friend (Range: A3-D5)
WENDY JO – Ariel's friend (Range: A3-E5)
CHUCK CRANSTON – Ariel's boyfriend (Range: F#3-B4)
LYLE – Chuck's buddy 
TRAVIS - Chuck's buddy
A COP
BETTY BLAST - the owner of The Burger Blast
WILLARD HEWITT – Ren's friend, a country boy (Range: Bb2-Ab4)
PRINCIPAL HARRY CLARK
JETER – Ren's friend
BICKLE – Ren's friend
GARVIN – Ren's friend
COWBOY BOB – the lead vocalist at the Bar-B-Que (Range: E3-C5)
COWBOY BOB'S BAND
ENSEMBLE – Singing-dancing ensemble consisting of Townspeople and High School Students
  • Time Period Contemporary
  • Setting Chicago and the small town of Bomont.
  • Features Contemporary Costumes / Street Clothes
  • Additional Features Not Applicable
  • Duration 105 Minutes
  • Cautions
    • Alcohol
    • Mild Adult Themes

Media

“Exhilarating! You'll have a hard time staying in your seat!” – WNBC

“One of the most extraordinary musicals ever to come out of Hollywood. Footloose blends fantastical situations with important issues and balances them perfectly.” – L.A. Weekly

Footloose is an exuberant entertainment, bursting to life with music, romance and dance.” – L.A. Movie Gazette

“This is a show you want to dance to! The score is the best kind of blast from the past!” – Cincinnati Enquirer

“A crackling show... better than the movie!” – Green Bay Press-Gazette

Videos

  • Footloose Trailer: Venue Cymru 2017 youtube thumbnail

    Footloose Trailer: Venue Cymru 2017

  • Footloose Broadway - Press Reel youtube thumbnail

    Footloose Broadway - Press Reel

  • Footloose: Macy's Thanksgiving Day Parade 1998 youtube thumbnail

    Footloose: Macy's Thanksgiving Day Parade 1998

Photos

  • Footloose

    Image: 2006 West End Production (Tristram Kenton)

  • Footloose

    Image: 2019 Kennedy Center Production (Jeremy Daniel)

  • Footloose

    Image: 2019 Kennedy Center Production (Jeremy Daniel)

  • Footloose

    Image: 2019 Kennedy Center Production (Jeremy Daniel)

Music

Music Samples

Act I

1. “Footloose” - Rusty, Wendy Jo, Urleen and the Company
1. “On Any Sunday” – Rev. Shaw Moore, Ren, Ethel and the Company
1a. Churchyard Transition - Orchestra
2. “The Girl Gets Around” – Chuck, Ariel, Travis and Lyle
2a. After “Girl” – Orchestra
2b. Hallway Scene Change - Orchestra
3. “I Can’t Stand Still” – Ren
4. “Somebody’s Eyes” – Rusty, Urleen, Wendy Jo and the Company
5. “Learning To Be Silent” – Vi, Ethel and Ariel
5a. Scene Change to Burger Blast Diner - Orchestra
6. “Holding Out For A Hero” – Ariel, Rusty, Wendy Jo and Urleen
7. The Plains of Bomont - Orchestra
7a. Scene Change (“Somebody’s Eyes”) – Rusty, Wendy Jo and Urleen
7b. “Somebody’s Eyes” (Reprise) – Rusty, Wendy Jo, Urleen, Chuck, Lyle and Travis
8. “Heaven Help Me” – Shaw
8a. On Any Sunday - March - Orchestra
9. “I’m Free / Heaven Help Me” – Ren, Shaw and the Company

Act II

9a. Entr'acte - Orchestra
10. “Still Rockin’” – Cowboy Bob and His Band
10a. Cowboy Bob Dances - Orchestra
11. “Let’s Hear It For The Boy” – Rusty and the Company
12. “Can You Find It In Your Heart?” – Vi
12a. Transition - Orchestra12b. Chuck Acosts Ariel - Orchestra
12c. “Dancing Is Not A Crime” – Ren
13. “Mama Says (You Can’t Back Down)” – Willard, Bickle, Garvin, Jeter and Ren
13a. “Mama Says” (Encore) – Willard and Boys
14. “Almost Paradise” – Ren and Ariel
14a. Out of "Paradise" - Orchestra14b. Out of Council - Orchestra
14c. Transition to Moore Home - Orchestra
14d. We've Both Lost Somebody - Orchestra
15. Ariel Comforts Shaw – Orchestra
16. “Heaven Help Me” (Reprise) – Shaw
16a. After “Heaven” Reprise – Orchestra
17. “Can You Find It In Your Heart?” (Reprise) – Shaw
18. “Footloose” (Finale) – The Company
19. Bows - Orchestra
20. “Megamix” (Optional) – The Company
21. Exit Music - Orchestra

  • Musical Style Pop/Rock
  • Dance Requirements Moderate
  • Vocal DemandsModerate
  • Orchestra Size Medium
  • Chorus Size Medium

Licensing & Materials

  • PLEASE BE ADVISED: There are multiple versions of this title. Before you proceed, please double-check to ensure that you are applying for the version you want. We will not be able to refund rental or shipping fees if you pay for the wrong version.

    If you’re not sure which version best suits your needs, you may purchase a perusal for each available version.

    FOOTLOOSE

    FOOTLOOSE (90-MINUTE VERSION)

    FOOTLOOSE: YOUTH EDITION

Music Rentals

Concord offers a full suite of resources to help you put on the show of a lifetime!
25   Libretto-Vocal Book
1   Keyboard 1-Conductor (rehearsal & performance)

1   Keyboard 2
1   Reed — Flute, Clarinet, Tenor Saxophone & Baritone Saxophone
1   Drums
1   Percussion — Tambourine, Industrial Sounds, Congas, Huge Electronic Hits, Cymbal, Mark Tree, Vibes, Shaker, Tubular Bells, Cow Bell, Bell Tree, Timpani, Xylophone, Triangle
1   Guitar 1 — Electric, Acoustic Steel String, Acoustic Nylon String
1   Guitar 2 — Electric, Acoustic Steel String, Acoustic Nylon String
1   Bass — Electric

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Additional Materials
A Full Score is available for this title for an additional fee. Please contact your licensing representative for more information.
25   Libretto-Vocal Book
1   Keyboard 1-Conductor (rehearsal & performance)

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Authors

Tom Snow

Tom Snow has been making music, recording albums and writing hits for himself and other artists - on record, on radio, in the United States and all over the world - since the early 1980s.

He has twice been nominated for the Academy Award for Best Song from a Motion Picture: "L ...

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Dean Pitchford

Born and raised in Hawaii and graduated from Yale University, Dean Pitchford performed off- and on-Broadway (Godspell; Pippin) before turning to songwriting, screenwriting and directing.

Dean was nominated for four Academy Awards (winning the 1981 Best Song Oscar for "Fame," ...

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Walter Bobbie

Walter Bobbie directed the New York productions of Bright Star, Venus in Fur, The Landing, Golden Age, School for Lies, Irving Berlin's White Christmas, Chicago, The Submission, Cabin Pressure, The Savannah Disputation, New Jerusalem, High Fidelity, The Other Woman, The Marri ...

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Author

Eric Carmen

Author

Sammy Hagar

Author

Kenny Loggins

Jim Steinman

Though Jim Steinman began in the theatre, he was best known as a songwriter/producer whose records sold more than 96 million copies.

The L.A. Times described him as the Richard Wagner of rock. At Amherst College he wrote and starred in the epic musical The Dream Engine. It ca ...

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