Laura Osnes has been cast as Suzy in the New York City Center Encores! production of Rodgers and Hammerstein’s PIPE DREAM running March 28 - April 1. PIPE DREAM will be directed by Marc Bruni with music direction by Rob Berman and choreography by Kelli Barclay, and will play for seven performances at New York City Center, West 55th Street between 6th and 7th Avenues. The Encores! presentation marks the first time the musical will be seen on the New York stage since the original production closed in June 1956.
Laura Osnes returned to Broadway this fall as Bonnie Parker in Bonnie and Clyde after originating the role at Asolo Repertory Theatre and La Jolla Playhouse (San Diego Theatre Critics Circle Award- Outstanding Lead Female Performance in a Musical). Before that, Osnes starred as Hope Harcourt in the Tony-winning revival of Anything Goes (Drama Desk, Outer Critics Circle and Astaire Award nominations) and as Nellie Forbush in Lincoln Center Theatre’s production of South Pacific. She made her Broadway debut as Sandy in the most recent revival of Grease, having won the role on NBC's reality competition "Grease: You're The One That I Want." Her many regional credits include Kim McAfee in Broadway: Three Generations (Kennedy Center).
Outcasts yearning for a better life populate the bordellos and flophouses of a 1950s California seaside town in Rodgers and Hammerstein’s PIPE DREAM, based on John Steinbeck's novel Sweet Thursday. The show features many of Steinbeck’s Cannery Row characters, and tells the story of the romance between Doc, a marine biologist, and Suzy (Laura Osnes), a young woman who hitch hikes into town looking for a better life. Pipe Dream opened at the Shubert Theatre on November 30, 1955, and ran for 246 performances. It was nominated for nine Tony Awards, including Best Musical.
PIPE DREAM has been virtually absent from the American stage for more than two decades, owing to a technicality involving the underlying rights. The Encores! presentation will also include the first hearing of the newly-restored Robert Russell Bennett orchestrations, meticulously reconstructed by the Rodgers & Hammerstein office and featuring such R&H rarities as “All at Once You Love Her,” “The Next Time It Happens” and the wistful ballad “Everybody’s Got a Home but Me.”