Cast Size: Small (1-10) • Medium (5-21) • Large (14+). Vocal Demands: Easy • Moderate. Dance Requirements: Extensive • Some Dancing Required • Minimal. Good For: High School • College/University • Amateur/Community • Professional Theatre • Religious Organization.
To request the rights to make merchandise for this show email firstname.lastname@example.org.
Present ONCE UPON A MATTRESS from Oct. 1, 2009 Oct. 1, 2010 and your opening night royalty is on us! read more
As anyone who has ever worked in the musical theatre can attest, there are few moments in the production process as exhilarating as hearing the orchestra for the first time. read more
ONCE UPON A MATTRESS History
Many moons ago, in the summer of 1958, at a resort in the Poconos called Camp Taminent, three young writers (composer Mary Rodgers and lyricist/librettists Marshall Barer and Jay Thompson) adapted Hans Christian Andersen's fairy tale The Princess and the Pea for a week-long run. In the true tradition of "hey kids, let's put on a show," this one-act musical proved so popular that it was held over and, before you could say "Mickey and Judy," the show was snapped up by producers for a commercial run in New York.
By the time it opoened off-Broadway in May of 1959 at the Phoenix Theatre (now a multiplex movie theatre), the show had acquired an additional author, Dean Fuller (who had previously worked with Marshall Barer on NEW FACES OF '56) a new director—the estimable George Abbott—a second act and a new title: ONCE UPON A MATTRESS. Casting had undergone many changes, but the biggest was the result of George Abbott's desire for a new face to play the starring role of Princess Winnifred. It was Abbott's daughter, Judy, who "discovered" Carol Burnett, a new comedienne then appearing at New York City's famed Blue Angel nightclub, and recommended her to Barer and his collaborators. Not long away from California, Burnett had made a splash with a funny piece of special material called "I Made a Fool of Myself Over John Foster Dulles," which she performed on several TV variety shows and which resulted in her club date. Upon her arrival in New York Burnett had determinedly insisted to her younger sister that she was going to be the star of a Broadway musical directed by the famous George Abbott—this piece of irony taking place long before anyone in The Big Apple had even heard the name Carol Burnett. The rest, as they say, is history. The reviews were great and Carol Burnett became a star.
The show had a healthy run of 460 performances in an extraordinary Broadway tour, moving from the Phoenix to Broadway's Alvin (now the Neil Simon) to the Winter Garden and then to the Cort and then finally to the St. James Theater. It was produced for television first in 1964 and again in 1972 with Ms. Burnett reprising her role both times. And the show? Well, what happened to this charming musical is a fairy tale as well. Over the next 35 years without anyone paying really close attention (except maybe the authors) it has ranked consistently among the top five shows licensed from Rodgers and Hammerstein Theatricals, with over 300 productions annually in the US alone. Not bad at all for a show that began life as a 45-minute divertissement!
In the fall of 1995, Dodger Productions (whose previous Broadway efforts included the Tony Award-winning revivals of GUYS AND DOLLS and THE KING AND I) set about putting together a creative team to bring ONCE UPON A MATTRESS back to Broadway. The anchor for any …MATTRESS production is Princess Winnifred, and to play the part they signed an actress who was then the toast of New York—for playing the part of a dog. But in addition to her winsome turn as the canine title role in A.R. Gurney's off-Broadway comedy SYLVIA, Sarah Jessica Parker also had extensive stage credits going back to Broadway appearances in ANNIE, THE INNOCENTS and THE HEIDI CHRONICLES, as well as a considerable film career. And of course, though no one knew it then, she was a few years away from mega-stardom for her turn as Carrie Bradshaw on HBO's acclaimed Sex and the City. Here at last, everyone agreed, was a Winnifred to charm contemporary audiences.
Carol Burnett appeared in the ABC television version of …MATTRESS in 2005, this time as the imposing Queen Aggravain, while the esteemed British comedienne Tracey Ullman stepped into Winnifred's moat-swimming shoes. The production was directed by Tony Award-winning director Kathleen Marshall.
Tony AwardsJanuary 12, 1970 — 1 Nomination for Best Revival of a Musical
January 01, 1997 — 1 Nomination for Best Revival of a Musical
Vocal Range of Characters:
I made a special effort to catch the Hartford opening of the bus and truck company of ONCE UPON A MATTRESS, because Edward Everett Horton had been a major idol to me since I was a kid -- and now -- at 80! -- he was playing King Sextimus. I had decided to watch the first performance from backstage and was standing in the wings, promptside, then Horton came and stood beside me, waiting for his cue. Suddenly the stage manager gasped: 'Mr. Horton! You're on the wrong side of the stage! Your entrance is stage left!' 'Ohmigod, yes!' said Horton. 'What are we to do?'
Written By: Marshall Barer
The only way to the other side was through the dark, narrow space behind the cyclorama. The stage manager handed me a flashlight and asked me if I could help the actor across. I was pleased to, of course, and we made it without mishap, and even with a moment to spare. Long enough for the Adorable One to brush off his robe and straighten his crown; then in the instant before he made his entrance (into a scene I had written!) he turned to me and in three short words managed to blow away every negative thing anyone has ever said about Life In The Theatre.
With his world-famous twinkle, he whispered: 'Isn't this fun?'
ARTWORK: This show now has new iconic artwork, bringing the professional look of Broadway straight to your theater. Show posters, print ads, Facebook graphics, and marketing materials are all available in customizable formats.
AccompanEase: This product is a rehearsal tool that allows for unlimited teaching, training and practice of individual vocal parts or dance sequences. Contact Realtime Music Solutions for more information: www.accompanease.com, via email: email@example.com, or via phone: 212-620-0774.
InstrumentalEase: This product is an orchestra enhancement instrument capable of augmenting a traditional ensemble of any size. Contact Realtime Music Solutions for more information: www.rms.biz, via email: firstname.lastname@example.org, or via phone: 212-620-0774.
RMS Mix® is a new app from Realtime Music Solutions that can be added onto your purchase of AccompanEase and InstrumentalEase and brings rehearsal and performance tools to your mobile devices. RMS Mix® syncs with AccompanEase and InstrumentalEase to allow your creative team, cast and instrumentalists access to rehearsal tracks on their own computer, tablet or smartphone. Customized changes made on AccompanEase and InstrumentalEase can be exported to the RMS Mix® app, so that rehearsing for your production is as easy as hitting play!
Contact Realtime Music Solutions for more information: www.rms.biz, via email: email@example.com, or via phone: 212-620-0774.
MAKE YOUR OWN PLAYBILL! Playbill VIP allows you to create your very own Playbill Program. We have provided Playbill with all of the credits, song listings, musical numbers and more so that most of the work is already done for you. Just add your productions details, photos of the cast and share it with all of your friends. Learn more: www.playbillvip.com
- ONCE UPON A MATTRESS - Orchestration Package (18 Books/16-19 Players)
- 1 – Piano Vocal Scores
- 1 – FLUTE (Doubling Piccolo)
- 1 – OBOE
- 1 – CLARINET
- 1 – Bass Clarinet
- 1 – HORN
- 1 – TRUMPET I
- 1 – TRUMPET II
- 1 – TROMBONE
- 1 – GUITAR (Acoustic with amp)
- 1 – PIANO (Doubles Celeste)
- 1 – HARP
- 2 – VIOLINS (Divisi)
- 1 – VIOLA (Divisi)
- 1 – CELLO (Divisi)
- 1 – Bass
- 1 – PRECUSSION (see note below)
- Rehearsal Set (22 Books)
- 20 – Libretto-Vocal Books
- 2 – Piano Vocal Scores
- 1 – Digital Logo
- Libretto/Vocal Books 10 pack
- 10 – Libretto-Vocal Books
- MATTRESS - PRE-PRODUCTION PACKAGE
- 1 – Libretto-Vocal Books
- 1 – Piano Vocal Scores
- MATTRESS - Partitur
- Once Upon A Mattress Flat Bundle
- 1 – Flat Banners
- 1 – Flat Facebook Tabs
- 1 – Flat Poster
- 1 – Flat Print
- Once Upon A Mattress Layered Bundle
- 1 – Layered Banners
- 1 – Layered Facebook Tabs
- 1 – Layered Poster
- 1 – Layered Print
- 1 – Layered Facebook Tabs
Singing and dancing ensemble consisting of Ladies-in-Waiting, Knights, Soldiers, Servants, and Musicians.
Princess No. 12
King Sextimus the Silent
1st Lady-in-Waiting - Rowena
2nd Lady-in-Waiting - Merrill
3rd Lady-in-Waiting - Lucille
Ladies-in-Waiting, Knights, Soldiers, Servants, Musicians, etc.
ONCE UPON A MATTRESS takes place many moons ago in a far off place.
A Large Room In A Medieval Castle
A Castle Corridor
The Castle Courtyard
Winnifred's Dressing Room
Tents in the Courtyard
The Great Hall
A Room in the Castle
The Wizard's Chamber
The Banquet Hall
Present ONCE UPON A MATTRESS from Oct. 1, 2009 Oct. 1, 2010 and your opening night royalty is on us!Read More
As anyone who has ever worked in the musical theatre can attest, there are few moments in the production process as exhilarating as hearing the orchestra for the first time.Read More
Fans of the most popular movie musical ever made, THE SOUND OF MUSIC, have only until the end of this year to buy it on home video before it is taken off sale...Read More
- Vector Title
Display customized, eye-catching banner ads to promote your production.
Don't worry about reshaping banners to fit different websites: This package already includes 4 standard banner sizes - vertical, horizontal, and rectangular.
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Don't worry about needing fancy design programs – these flat .JPG files are ready to use with any free paint or photo editing program. Demos show you how to customize graphics with your theater's text.
- 160x600 - Wide Skyscraper
- 300x250 - Medium Rectangle
- 468x60 - Full Banner
- 728x90 – Leaderboard