Cast Size: Medium (5-21) • Large (14+). Vocal Demands: Easy • Moderate. Dance Requirements: Some Dancing Required • Minimal. Good For: Elementary School • High School • College/University • Amateur/Community • Professional Theatre • Religious Organization.
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Remembering I REMEMBER MAMA
By Theodore S. Chapin
For generations of Americans, the words "For as long as I could remember, the house on Steiner Street had been home" have a more than familiar ring to them. They are the opening words of the Kathryn Forbes story about the Hansen family, a stalwart group of Norwegian immigrants who settled in San Francisco at the turn of the century, which has charmed readers, listeners, viewers and theater goers for over forty years.
The first story appeared in 1943 as MAMA'S BANK ACCOUNT in the Readers' Digest. Its success prompted Miss Forbes to write other short stories about her family, which were later published as a collection. These stories were bought by RKO to be filmed, but that was not where their first dramatization was to take place.
At the urging of his daughter and wife, Richard Rodgers read MAMA'S BANK ACCOUNT and after conferring with his partner Oscar Hammerstein II, decided to turn it into a play (the team decided to produce plays as well as the musicals for which they were famous, and MAMA seemed to fit in perfectly). The play version adapted by John Van Druten, opened in 1944—with the title that was to stick from then on: I REMEMBER MAMA. (It is interesting to note that the role of Nils was played by a newcomer by the name of Marlon Brando).
The Broadway success was followed by the George Stevens film starring Irene Dunne and by various radio presentations. On July 1, 1949, however, MAMA began her longest and most fondly remembered life as the matriarch of the CBS television series. As played by Peggy Wood, MAMA was to reign 8 years over those early days of television with her characteristic blend of earthy practicality and undiminishing vision of good and wholesome life in the "new" land. In 1979, I REMEMBER MAMA came full circle and opened as a bright and cheerful Broadway musical. One wonders if Richard Rodgers knew all along that he would some day compose a score for a musical version of MAMA. He did and it was to be his final score. His collaborators were the team who had had an enormous success with ANNIE—librettist Thomas Meehan and lyricist Martin Charnin. For Rodgers, it was musical number 40 in a career which spanned 50 years
During the Broadway run of MAMA, Rodgers was visited in New York by record producer Norman Newell, and at the time the composer said, "My greatest wish is for MAMA to be recorded." Five years after his death, Rodgers' wish came true when Newell assembled a superlative cast to record the album for TER Records, with Broadway originators George Hearn and George S. Irving joined by Sally Ann Howes as Mama, Ann Morrison as Katrin, with cameos from such West End stars as Elizabeth Seal, Gay Soper, Patricia Routledge and Sian Phillips, and all under the musical direction of Bruce Pomahac.
Vocal Range of Characters:
Written By: Dorothy Rodgers
In 1943 someone gave our daughter, Mary, a book called 'Mama's Bank Account' by Kathryn Forbes. The title intrigued me because I thought it would be about a kind of Billie Burke character who couldn't add or keep a checkbook and it might be fun. I read it and was enchanted by it even though it turned out to have nothing to do with arithmetic. I said to Dick, 'I think this would make a delightful play -- not a musical but a straight play.' Well in the thirteen years that we had been married, I had never said that about any other book and Dick, who was always looking for things to do in the theatre, read the book, liked it enormously and passed it on to Oscar who shared his enthusiasm. They decided to make it their first production only to learn that the book had already been sold to one of the big film studios, but they were able to persuade the executive who had planned to produce the picture that if their theatre production were to be successful, the studio would have a much more valuable asset to film. Happily, this turned out to be the case. It was a big success and an altogether lovable show. After a long run on Broadway and the road, it had several other lives as a radio serial, a film and a TV series.
In 1979, Alex Cohen and his wife, Hildy Parks, took Dick and me to dinner at The Four Seasons and Alex said to Dick, 'How would you feel about writing a score for I REMEMBER MAMA with Liv Ullmann playing Mama?' Without a beat Dick said, 'I'll do it!' He was still eager to find something to write for the theatre. I was rather hoping that he would be able to sit back and enjoy his wonderfully successful career in retrospect but I think I really knew that he would only be happy working to the end of his life. The musical version of I REMEMBER MAMA was his last work.
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- I REMEMBER MAMA - Orchestration Package (23 Books/27 Players)
- 1 – FLUTE I (Doubling Piccolo)
- 1 – FLUTE II (Doubling Piccolo)
- 1 – OBOE (Doubling English Horn)
- 1 – CLARINET I
- 1 – CLARINET II
- 1 – BASSOON (Doubling Bass Clarinet)
- 1 – HORN I
- 1 – HORN II
- 1 – HORN III
- 1 – TRUMPET I
- 1 – TRUMPET II
- 1 – TROMBONE
- 1 – TUBA
- 1 – PERCUSSION (see "Materials Notes", under "Production Information")
- 1 – VIOLIN A (Divisi)
- 1 – VIOLIN B (Divisi)
- 1 – VIOLIN C (Divisi)
- 1 – VIOLA (Divisi)
- 1 – CELLO (Divisi)
- 1 – BASS
- 1 – HARP
- 1 – PIANO/CELESTE
- 1 – PIANO CONDUCTOR SCORE
- Rehearsal Set (22 Books)
- 20 – Libretto-Vocal Books
- 1 – Logo CD
- 2 – PIANO CONDUCTOR SCORE
- Digital Logo
- Libretto/Vocal Books 10 pack
- 10 – Libretto-Vocal Books
- I REMEMBER MAMA - PRE-PRODUCTION PACKAGE
- 1 – Libretto-Vocal Books
- 1 – PIANO CONDUCTOR SCORE
Singing-dancing ensemble with some small roles
Dame Sybil Fitzgibbons
I REMEMBER MAMA takes place in San Francisco from the Spring of 1910 through the Summer of 1911.
Kitchen and Dining Room of the Hansen House on Steiner Street
The Hansen Parlor
The Hansen Kitchen
The Hansen Back Porch
Lobby of the Fairmont Hotel
Uncle Chris' Ranch