Annie Get Your GunAnnie Oakley is the best shot around, and she manages to support her little brother and sisters by selling the game she hunts. When she's discovered by Col. Buffalo Bill, he persuades this novel sharpshooter to join his Wild West Show. It only takes one glance for her to fall head over heels for dashing shooting ace Frank Butler, who headlines the show. She soon eclipses Butler as the main attraction which, while good for business, is bad for romance. Butler hightails it off to join a rival show, his bruised male ego leading the way, but is ultimately pitted against Annie in a final shoot-out. The rousing, sure-fire finale hits the mark every time in a testament to the power of female ingenuity.
Annie Get Your Gun (Stone)ANNIE GET YOUR GUN scored a bulls eye when it returned to Broadway in 1999, starring Bernadette Peters and sporting a revised libretto by Tony, Oscar and Emmy winner Peter Stone. As Newsday reported, Stone's revisions 'are sweetly ingenious, and the show is a dream.' Stone reshaped the 1946 book to create a Wild West show-within-a-show that frames the ageless 'Anything You Can Do I Can Do Better' love story of sharpshooters Annie Oakley and Frank Butler. Stone has added a secondary romance between the younger sister of Frank's bothersome assistant Dolly, and a boy who is (to Dolly's horror) part Native American. 'The book has been updated in ways that pass p.c. muster,' reported Time Magazine, 'without losing all the fun.' Joined to the new book, of course, is that amazing Irving Berlin score, featuring hit after hit after hit. 'Irving Berlin's greatest achievement in the theater,' wrote the New York Post, ANNIE GET YOUR GUN 'will always be a musical for the ages, one of the Broadway theater's enduring triumphs.'
Aspects of Love
ASPECTS OF LOVE is no longer available to license through R&H Theatricals. Please visit www.themusicalcompany.com to license all Andrew Lloyd Webber shows.
CarouselIn a Maine coastal village toward the end of the 19th century, the swaggering, carefree carnival barker, Billy Bigelow, captivates and marries the naive millworker, Julie Jordan. Billy loses his job just as he learns that Julie is pregnant and, desperately intent upon providing a decent life for his family, he is coerced into being an accomplice to a robbery. Caught in the act and facing the certainty of prison, he takes his own life and is sent 'up there.' Billy is allowed to return to earth for one day fifteen years later, and he encounters the daughter he never knew. She is a lonely, friendless teenager, her father's reputation as a thief and bully having haunted her throughout her young life. How Billy instills in both the child and her mother a sense of hope and dignity is a dramatic testimony to the power of love. It's easy to understand why, of all the shows they created, CAROUSEL was Rodgers & Hammerstein's personal favorite.
A Catered AffairA CATERED AFFAIR tells the story of a Bronx mother’s efforts to give her only daughter the elaborate wedding she never had – and the bride never asked for. In this funny, poignant and oh, so human show of love and disaffection, Harvey Fierstein’s book and John Bucchino’s score explore both our need for love and true meaning of family. The Broadway production received 12 Drama Desk Award nominations, the most of any show of the 2007-2008 season, and was chosen as Best Musical by the New York Drama League.
CinderellaThe timeless enchantment of a magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance. Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's CINDERELLA was the most widely viewed program in the history of the medium. Its recreation in 1965 starring Lesley Ann Warren was no less successful in transporting a new generation to the miraculous kingdom of dreams-come-true, and so was a second remake in 1997, which starred Brandy as Cinderella and Whitney Houston as her Fairy Godmother. As adapted for the stage, with great warmth and more than a touch of hilarity, the hearts of children and adults alike still soar when the slipper fits.
Cinderella (Enchanted Edition)The timeless enchantment of a magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance. Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's CINDERELLA was the most widely viewed program in the history of the medium. Its recreation in 1965 starring Lesley Ann Warren was no less successful in transporting a new generation to the miraculous kingdom of dreams-come-true, and so was a second remake in 1997, which starred Brandy as Cinderella and Whitney Houston as her Fairy Godmother. As adapted for the stage, with great warmth and more than a touch of hilarity, the hearts of children and adults alike still soar when the slipper fits. This Enchanted Edition is based on the 1997 teleplay.
Do I Hear a Waltz?Leona, an unmarried American secretary 'of a certain age,' goes on a vacation to Venice where, under the spell of that enchanted city, she falls in love. The gentleman is an attractive, middle-aged shopkeeper, whose attentions give flight to her deepest dreams of romance. Too soon, however, he openly informs her that he is a contented family man, and Leona's hopes are dashed. She can, for a short time, harness romance, yet realizes that such a relationship would have nowhere to go. Still, might it be better than never having loved at all? This timeless story, which is the basis of the movie 'Summertime' starring Katharine Hepburn, remains a bittersweet testament to the complexities of the heart.
EVITA is no longer available to license through R&H Theatricals. Please visit www.themusicalcompany.com to license all Andrew Lloyd Webber shows.
Flower Drum SongThe generation gap is given the Rodgers & Hammerstein treatment in this colorful approach to the age-old conflict. In San Francisco's Chinatown of the late '50s, nightclub owner Sammy Fong's traditional family has ordered him a picture-bride from China, hoping to end his pursuit of an enticing dancer. Mei Li arrives, shy and at sea in a world she doesn't understand, and it's clear that she's the wrong gal for the totally assimilated Sammy. However, she may be just the ticket for Sammy's buddy, whose traditionalist father is fighting a losing battle with his kids against rock `n' roll, baseball, sports cars and the typical trappings of the modern American life-style. By turns raucous and heartfelt, the solution to this delightful Chinese puzzle of properly matching the young people while reconciling the old is a celebration of American ingenuity.
Flower Drum Song (Hwang Version)'To create something new, we must first love what is old,' claims Mei-Li in Tony Award-winner David Henry Hwang's new adaptation of this Rodgers and Hammerstein jewel. The sentiment is obviously shared by the author himself, who has created something dazzlingly new while honoring the original material. Mei-Li flees Mao's communist China after the murder of her father and finds herself in San Francisco's Chinatown. This naïve young refugee is befriended by Wang, who is struggling to keep the Chinese opera tradition alive despite his son's determination to turn the old opera house into a swingin' Western-style nightclub. A unique blending of American razz-ma-tazz and stylized Chinese opera traditions creates a beautifully theatrical tapestry. The wonderful score, by turns lushly romantic and showbiz-brassy, retains all of its luster in this lovely new version of an American classic. Mei-Li's gradual assimilation is informed by her realization that the old and new can coexist when there is respect for both. It is in that spirit that R&H Theatricals makes available both the original and new versions of FLOWER DRUM SONG.
HeartbeatsAnnie married Steve on her twentieth birthday- she fell for him the minute they met. Two children and twenty years later, they're still in love...but they've forgotten how to say it. Amanda McBroom, who leapt to the top of the pop charts with the multi-Grammy Award-winning 'The Rose,' has fashioned more than twenty of her songs into a knowing musical portrait of a woman facing her fortieth birthday and twentieth wedding anniversary all in one day. While looking back at her life and wondering if fulfillment hasn't passed her by, this mid-Western housewife is on the verge of discovering a new definition for happiness. Informed by tremendous humor and insight, this contemporary musical contemplates and illuminates the age-old conundrum known as 'self discovery.'
I Love You, You're Perfect, Now ChangeThis celebration of the mating game takes on the truths and myths behind that contemporary conundrum know as 'the relationship.' Act I explores the journey from dating and waiting to love and marriage, while Act II reveals the agonies and triumphs of in-laws and newborns, trips in the family car and pick-up techniques of the geriatric set. This hilarious revue pays tribute to those who have loved and lost, to those who have fallen on their face at the portal of romance, to those who have dared to ask, 'Say, what are you doing Saturday night?'
THE KING AND IEast versus West makes for a dramatic, richly textured and ultimately uplifting tale of enormous fascination. It is 1862 in Siam when an English widow, Anna Leonowens, and her young son arrive at the Royal Palace in Bangkok, having been summoned by the King to serve as tutor to his many children and wives. The King is largely considered to be a barbarian by those in the West, and he seeks Anna's assistance in changing his image, if not his ways. With both keeping a firm grip on their respective traditions and values, Anna and the King grow to understand and, eventually, respect one another, in a truly unique love story. Along with the dazzling score, the incomparable Jerome Robbins ballet, 'The Small House of Uncle Thomas,' is one of the all-time marvels of the musical stage.
The Light in the PiazzaTHE LIGHT IN THE PIAZZA takes place in Italy in the summer of 1953. Margaret Johnson, the wife of an American businessman, is touring the Tuscan countryside with her daughter, Clara. While sightseeing, Clara-a beautiful, surprisingly childish young woman-loses her hat in a sudden gust. As if guided by an unseen hand, the hat lands at the feet of Fabrizio Naccarelli, a handsome Florentine, who returns it to Clara. This brief episode, charged with coincidence and fate, sparks an immediate and intense romance between Clara and Fabrizio. Margaret, extremely protective of her daughter, attempts to keep Clara and Fabrizio apart. As THE LIGHT IN THE PIAZZA unfolds, a secret is revealed: in addition to the cultural differences between the young lovers, Clara is not quite all that she appears. Unable to suppress the truth about her daughter, Margaret is forced to reconsider not only Clara's future, but her own hopes as well.
My Life with AlbertineThe musical focuses on Proust's obsession with his red-haired mistress, Albertine. Departing from the typical 'boy meets girl' plot, it explores the darkness of jealousy. Young Marcel, the hero, irrationally believes that Albertine is having lesbian affairs while older Marcel (played by a different actor), reflects on this seminal period in his young life interacting with himself at 17. Simple lullabies and children's songs reflecting Marcel's childish character before his affair are juxtaposed with operatic dirges, capturing the tragic effect of his self-inflicted destruction of happiness. This fascinating play preserves both the essence and themes of Proust's work.
No StringsA successful high-fashion model meets and falls in love with a writer in Paris. While this Pulitzer prizewinner has been trying to recover from a prolonged case of writer's block, he's assumed the dubious role of charming intellectual-in-residence at some of the Continent's more luxurious watering holes. As the model's work takes them on a whirlwind tour of the most exclusive European playgrounds, their romance develops into the first deeply-felt, honest relationship either has ever known. The model, however, ruefully comes to realize that the life-style demanded by her career is stifling the writer, and if he's ever to fulfill the promise of his earlier work, he must take responsibility for himself, go home, and write. Reluctantly, but with no strings, they part, each having discovered anew their capacity to love.
Oklahoma!Rodgers & Hammerstein's first collaboration remains, in many ways, their most innovative, having set the standards and established the rules of musical theatre still being followed today. Set in a Western Indian territory just after the turn of the century, the high-spirited rivalry between the local farmers and cowboys provides the colorful background against which Curly, a handsome cowboy, and Laurey, a winsome farm girl, play out their love story. Although the road to true love never runs smooth, with these two headstrong romantics holding the reins, love's journey is as bumpy as a surrey ride down a country road. That they will succeed in making a new life together we have no doubt, and that this new life will begin in a brand-new state provides the ultimate climax to the triumphant OKLAHOMA!
Pal JoeyThe penultimate Rodgers & Hart collaboration introduced the first anti-hero to propel a musical. Joey is an opportunistic cad, but he always seems to land on his feet. He elbows his way into a job at a seedy Chicago nightclub and is soon juggling the affections of a naive chorus girl and a wealthy society dame who just happens to be married. Once Joey has charmed the socialite into setting him up in his own joint, he ditches the chorine and is riding high, playing the big-time operator. When a punk threatens to spill the whole business to the socialite's husband, she decides that she's bored with Joey anyway, dumping him and the club. Having had a taste of his own medicine, you'd think Joey would head back to the sweet kid who really loves him. Wrong. Some things never change, but you know what? He's still on his feet.
The Phantom of the Opera
THE PHANTOM OF THE OPERA is no longer available to license through R&H Theatricals. Please visit www.themusicalcompany.com to license all Andrew Lloyd Webber shows.
The Sound of MusicThe final collaboration between Rodgers & Hammerstein was destined to become the world's most beloved musical. When a postulant proves too high-spirited for the religious life, she is dispatched to serve as governess for the seven children of a widowed naval Captain. Her growing rapport with the youngsters, coupled with her generosity of spirit, gradually captures the heart of the stern Captain, and they marry. Upon returning from their honeymoon they discover that Austria has been invaded by the Nazis, who demand the Captain's immediate service in their navy. The family's narrow escape over the mountains to Switzerland on the eve of World War II provides one of the most thrilling and inspirational finales ever presented in the theatre. The motion picture version remains the most popular movie musical of all time.
South PacificSet in an island paradise during World War II, two parallel love stories are threatened by the dangers of prejudice and war. Nellie, a spunky nurse from Arkansas, falls in love with a mature French planter, Emile. Nellie learns that the mother of his children was an island native and, unable to turn her back on the prejudices with which she was raised, refuses Emile's proposal of marriage. Meanwhile, the strapping Lt. Joe Cable denies himself the fulfillment of a future with an innocent Tonkinese girl with whom he's fallen in love out of the same fears that haunt Nellie. When Emile is recruited to accompany Joe on a dangerous mission that claims Joe's life, Nellie realizes that life is too short not to seize her own chance for happiness, thus confronting and conquering her prejudices.
SUNSET BOULEVARD is no longer available to license through R&H Theatricals. Please visit www.themusicalcompany.com to license all Andrew Lloyd Webber shows.
Taking a Chance on LoveThe life and career of Broadway lyricist John Latouche have been woven together into a vibrant musical portrait of an endlessly fascinating character. As an openly gay man in the 1950’s, Latouche traveled in rarified circles that included many swells of the time. TAKING A CHANCE ON LOVE weaves together his spectacular lyrical output with candid entries from his personal journals to chronicle one of the most intriguing paths ever forged in the musical theater. Largely considered a precursor of Sondheim, he wrote the lyrics for such landmark shows as CABIN IN THE SKY and CANDIDE and for such neglected gems as THE GOLDEN APPLE and the Carol Channing vehicle, THE VAMP. His major breakthrough came with BALLAD FOR AMERICANS, which became a national sensation in its vision of an America that draws strength from its ethnic and religious diversity, long before the concept of “multiculturalism” was to be articulated. Ironically, he was blacklisted as un-American at the time. His musical BEGGAR’S HOLIDAY featured the first romantic interracial kiss in a Broadway musical, causing nightly walk outs. Clearly ahead of his time in both his life and his work, Latouche died in 1956 at the age of 41.
The Thing About MenTom is cheating on his wife Lucy (with several women). Lucy is cheating on her husband Tom (with Sebastian). Tom moves out on Lucy and, in disguise, moves in with Sebastian. These are the circumstances that set the mood of hilarious intrigue in this often moving but always light hearted musical about men.
A Time for SingingA lost treasure from the 1960s, A TIME FOR SINGING is based on How Green Was My Valley, Richard Llewellyn’s classic novel of a Welsh mining village. Librettist Gerald Freedman and Oscar-nominated composer John Morris weave a spirited and sentimental tale of the Morgan family and their struggles of love and labor at the turn of a century. Excellent for a large ensemble cast, A TIME FOR SINGING asks, “Do we ever know what we have, till we no longer have it?”
Based on the beloved, timeless film, this heartwarming musical adaptation features seventeen Irving Berlin songs and a book by David Ives and Paul Blake.
Veterans Bob Wallace and Phil Davis have a successful song-and-dance act after World War II. With romance in mind, the two follow a duo of beautiful singing sisters en route to their Christmas show at a Vermont lodge, which just happens to be owned by Bob and Phil's former army commander. The dazzling score features well known standards including Blue Skies, I Love A Piano, How Deep Is the Ocean and the perennial favorite, White Christmas. WHITE CHRISTMAS is an uplifting musical worthy of year-round productions.
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