Annie Get Your GunAnnie Oakley is the best shot around, and she manages to support her little brother and sisters by selling the game she hunts. When she's discovered by Col. Buffalo Bill, he persuades this novel sharpshooter to join his Wild West Show. It only takes one glance for her to fall head over heels for dashing shooting ace Frank Butler, who headlines the show. She soon eclipses Butler as the main attraction which, while good for business, is bad for romance. Butler hightails it off to join a rival show, his bruised male ego leading the way, but is ultimately pitted against Annie in a final shoot-out. The rousing, sure-fire finale hits the mark every time in a testament to the power of female ingenuity.
Annie Get Your Gun (Stone)ANNIE GET YOUR GUN scored a bulls eye when it returned to Broadway in 1999, starring Bernadette Peters and sporting a revised libretto by Tony, Oscar and Emmy winner Peter Stone. As Newsday reported, Stone's revisions 'are sweetly ingenious, and the show is a dream.' Stone reshaped the 1946 book to create a Wild West show-within-a-show that frames the ageless 'Anything You Can Do I Can Do Better' love story of sharpshooters Annie Oakley and Frank Butler. Stone has added a secondary romance between the younger sister of Frank's bothersome assistant Dolly, and a boy who is (to Dolly's horror) part Native American. 'The book has been updated in ways that pass p.c. muster,' reported Time Magazine, 'without losing all the fun.' Joined to the new book, of course, is that amazing Irving Berlin score, featuring hit after hit after hit. 'Irving Berlin's greatest achievement in the theater,' wrote the New York Post, ANNIE GET YOUR GUN 'will always be a musical for the ages, one of the Broadway theater's enduring triumphs.'
Big RiverTwain's timeless classic sweeps us down the mighty Mississippi as the irrepressible Huck Finn helps his friend Jim, a slave, escape to freedom at the mouth of the Ohio River. Their adventures along the way are hilarious, suspenseful and heartwarming, bringing to life your favorite characters from the novel-the Widow Douglas and her stern sister, Miss Watson; the uproarious King and Duke, who may or may not be as harmless as they seem; Huck's partner in crime, Tom Sawyer, and their rowdy gang of pals; Huck's drunken father, the sinister Pap Finn; the lovely Mary Jane Wilkes and her trusting family. Propelled by an award winning score from Roger Miller, the king of country music, this jaunty journey provides a brilliantly theatrical celebration of pure Americana.
The Boys from SyracuseTwins! More twins! Women-chased and chaste! The first musical ever adapted from Shakespeare remains the most madcap musical farce ever to animate the stage. Antipholus and his wily servant, Dromio, travel to Ephesus in search of their respective twins, from whom they were separated in a shipwreck. Naturally, they are immediately taken for their brothers and we're off and running on a riotous chase from marketplace to marital bed. Perplexed wives, disgruntled courtesans, outraged constables and an audience roaring with laughter are left in its wake before this show's tangled web is unraveled, and Rodgers & Hart & Abbott have triumphed once again!
By JupiterAn army of Greek warriors set off for the land of the Amazons on a mission to capture the Sacred Girdle of Diana, currently flattering the figure of the Queen of the Amazons. Upon their arrival they are dumbfounded to discover that, in this land, the women rule and do battle while the men mind the children and buy new hats. The Greeks are seized and hauled before the female council, who are initially nonplussed by the notion of equality for men. However, over the course of two hilarious acts, a dozen captivating Rodgers & Hart songs, and a meeting of the minds, there's the inevitable meeting of the hearts.
Call Me MadamOnce President Harry S. Truman appointed Washington hostess Perle Mesta as Ambassador to Luxembourg, the foundation was laid for a musical comedy that would kid politics-foreign and domestic alike. Ambassador Sally Adams, with slim credentials, is sent off to administer in the tiny duchy of Lichtenburg. It's not long before her down-to-earth, typically undiplomatic manner has surprised and charmed the local gentry, especially the handsome Prime Minister. A second romance is blossoming between her young Ivy League aid and Lichtenburg's enchanting young Princess. The course of love is threatened by the stuffy opposition, who eventually succeed in wrangling Sally's recall, but not before all has resolved happily for both pairs of lovers.
CarouselIn a Maine coastal village toward the end of the 19th century, the swaggering, carefree carnival barker, Billy Bigelow, captivates and marries the naive millworker, Julie Jordan. Billy loses his job just as he learns that Julie is pregnant and, desperately intent upon providing a decent life for his family, he is coerced into being an accomplice to a robbery. Caught in the act and facing the certainty of prison, he takes his own life and is sent 'up there.' Billy is allowed to return to earth for one day fifteen years later, and he encounters the daughter he never knew. She is a lonely, friendless teenager, her father's reputation as a thief and bully having haunted her throughout her young life. How Billy instills in both the child and her mother a sense of hope and dignity is a dramatic testimony to the power of love. It's easy to understand why, of all the shows they created, CAROUSEL was Rodgers & Hammerstein's personal favorite.
CatsBased on the universally popular poetry of T.S. Eliot, CATS tells the story, in song and dance, of the annual gathering of Jellicle cats at which time one special cat is selected to ascend to the Heaviside layer. A true musical theatre phenomenon, CATS opened at London's New London Theatre on May 11, 1981 and ran for a record-setting 21 years. CATS's London success was nearly matched on Broadway where it ran at the Wintergarden Theatre for just over 18 years.
CinderellaThe timeless enchantment of a magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance. Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's CINDERELLA was the most widely viewed program in the history of the medium. Its recreation in 1965 starring Lesley Ann Warren was no less successful in transporting a new generation to the miraculous kingdom of dreams-come-true, and so was a second remake in 1997, which starred Brandy as Cinderella and Whitney Houston as her Fairy Godmother. As adapted for the stage, with great warmth and more than a touch of hilarity, the hearts of children and adults alike still soar when the slipper fits.
Cinderella (Enchanted Edition)The timeless enchantment of a magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance. Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's CINDERELLA was the most widely viewed program in the history of the medium. Its recreation in 1965 starring Lesley Ann Warren was no less successful in transporting a new generation to the miraculous kingdom of dreams-come-true, and so was a second remake in 1997, which starred Brandy as Cinderella and Whitney Houston as her Fairy Godmother. As adapted for the stage, with great warmth and more than a touch of hilarity, the hearts of children and adults alike still soar when the slipper fits. This Enchanted Edition is based on the 1997 teleplay.
A Connecticut YankeeOn the eve of his wedding, our hero receives an unexpected visit from his former fiancée. When his current wife-to-be finds them together, she knocks the fellow out cold with - what else? - a champagne bottle. He awakes to find himself transported back to the days of Camelot where he charms King Arthur's court and is soon put in charge of industrializing the country. He falls in love only the have his armour kidnapped by the King's hilariously evil sister. He awakes from his prophetic dream realizing that he almost married the wrong girl. This delectable musical comedy with its willfully silly dedication to pure hi-jinks, was meticulously restored in 2001 for its presentation by the acclaimed Encores! series in New York City and is now available with Don Walker's thrilling orchestrations.
EvitaArgentina's controversial First Lady is the subject of this dynamic musical masterpiece. As an illegitimate fifteen year old, Eva escaped her dirt-poor existence for the bright lights of Buenos Aires. Driven by ambition and blessed with charisma, she was a starlet at twenty-two, the president's mistress at twenty-four, First Lady at twenty-seven, and dead at thirty-three. Eva Peron 'saint to the working-class, reviled by the aristocracy and mistrusted by the military' was destined to leave a fascinating political legacy unique in the 20th century. Told through a compelling score that fuses haunting chorales with exuberant Latin, pop and jazz influences, EVITA creates an arresting theatrical portrait as complex as the woman herself.
Flower Drum SongThe generation gap is given the Rodgers & Hammerstein treatment in this colorful approach to the age-old conflict. In San Francisco's Chinatown of the late '50s, nightclub owner Sammy Fong's traditional family has ordered him a picture-bride from China, hoping to end his pursuit of an enticing dancer. Mei Li arrives, shy and at sea in a world she doesn't understand, and it's clear that she's the wrong gal for the totally assimilated Sammy. However, she may be just the ticket for Sammy's buddy, whose traditionalist father is fighting a losing battle with his kids against rock `n' roll, baseball, sports cars and the typical trappings of the modern American life-style. By turns raucous and heartfelt, the solution to this delightful Chinese puzzle of properly matching the young people while reconciling the old is a celebration of American ingenuity.
Flower Drum Song (Hwang Version)'To create something new, we must first love what is old,' claims Mei-Li in Tony Award-winner David Henry Hwang's new adaptation of this Rodgers and Hammerstein jewel. The sentiment is obviously shared by the author himself, who has created something dazzlingly new while honoring the original material. Mei-Li flees Mao's communist China after the murder of her father and finds herself in San Francisco's Chinatown. This naïve young refugee is befriended by Wang, who is struggling to keep the Chinese opera tradition alive despite his son's determination to turn the old opera house into a swingin' Western-style nightclub. A unique blending of American razz-ma-tazz and stylized Chinese opera traditions creates a beautifully theatrical tapestry. The wonderful score, by turns lushly romantic and showbiz-brassy, retains all of its luster in this lovely new version of an American classic. Mei-Li's gradual assimilation is informed by her realization that the old and new can coexist when there is respect for both. It is in that spirit that R&H Theatricals makes available both the original and new versions of FLOWER DRUM SONG.
FootlooseOne of the most explosive movie musicals in recent memory bursts onto the live stage with exhilarating results. When Ren and his mother move from Chicago to a small farming town, Ren is prepared for the inevitable adjustment period at his new high school. What he isn't prepared for are the rigorous local edicts, including a ban on dancing instituted by the local preacher, determined to exercise the control over the town's youth that he cannot command in his own home. When the reverend's rebellious daughter sets her sights on Ren, her roughneck boyfriend tries to sabotage Ren's reputation, with many of the locals eager to believe the worst about the new kid. The heartfelt story that emerges is of a father longing for the son he lost and of a young man aching for the father who walked out on him. To the rockin' rhythm of its Oscar and Tony-nominated top 40 score (the soundtrack album reached number one on the Billboard charts and has sold over 15 million copies!) and augmented with dynamic new songs for the stage musical, FOOTLOOSE celebrates the wisdom of listening to young people, guiding them with a warm heart and an open mind.
Free to Be... You and MeMarlo Thomas conceived a children's book that, instead of telling boys and girls who they should be, would open them to the possibilities of who they could be. She gathered many of her supremely talented friends from various worlds of the arts and the remarkable result is highly regarded as a modern classic of children's literature. Life-enhancing themes are imaginatively blended with music and humor to expand children's personal horizons, enabling them to invent their own futures without limitation, while dispelling some old constraints and worn-out conventions in the process. Parents, teachers and other grown-up friends will delight in sharing this extraordinary and memorable experience with the children in their lives.
H.M.S. PinaforeGilbert and Sullivan are the undisputed masters of comic operetta and the proud parents of the modern musical. That their works are more in demand today than when they were created over a century ago is ample proof of their lasting brilliance. We are pleased to offer reduced orchestrations based on the D'Oyly Carte originals for productions of H.M.S. PINAFORE, THE MIKADO, or THE PIRATES OF PENZANCE. H. M. S. PINAFORE answers the burning question of who, among equals, is the most equal, but only when the men of the mismatched couples discover they were switched in their cradles as infants. Obviously the authors will stop at nothing to delight and amuse - and again they succeed!
I Married an AngelWhen a wealthy banker becomes disillusioned with women and vows that the only woman for him would have to be an angel, it's only a song or two before she comes flying in through the window! He marries her only to discover that angels can sometimes be troublesome, having none of the human failings that allow us mere mortals to tolerate one another. Her inability to be in any way dishonest results in her alienating everyone, from the banker's biggest depositor to society's grand dame. Through some side-splitting shenanigans, Angel is brought down to earth for what is- naturally- a marriage made in heaven.
I Remember MamaFor his final score, Richard Rodgers turned to a play he and Hammerstein had produced on Broadway 35 years earlier that had gone on to become a modern classic. Set in San Francisco following the turn of the century, this story of a Norwegian family's survival in the New World is told in retrospect by the eldest daughter, a successful writer recounting the start of her career and the childhood that inspired it. She takes us back to relive familial hardships and triumphs including the near loss of their home, Papa's desperate return to Norway when he can no longer find work, and the sale of her first story-this one. But, of course, it's Mama she remembers most of all, always guiding their precarious journey with a firm hand and a warm heart.
Jesus Christ SuperstarIt seems especially fitting that the first rock opera, created as a concept album at the end of the turbulent '60s, should have at its center a social and political rebel. Jesus' meteor-like rise in renown provides, as the title suggests, a parallel to contemporary celebrity worship. As his radical teachings are evermore embraced, Judas increasingly questions the enlightened motives of this new prophet, resulting in betrayal. Christ's final days are dramatized with emotional intensity, thought-provoking edge and explosive theatricality. Propelled by a stirring score, by turns driving and majestic, satirical and tender, JESUS CHRIST SUPERSTAR illuminates the transcendent power of the human spirit with a passion that goes straight to the heart.
Joseph and the Amazing Technicolor DreamcoatThe Biblical saga of Joseph and his coat of many colors comes to vibrant life in this delightful musical parable. Joseph, his father's favorite son, is a boy blessed with prophetic dreams. When he is sold into slavery by his jealous brothers and taken to Egypt, Joseph endures a series of adventures in which his spirit and humanity are continually challenged. He is purchased by Potiphar where thwarting advances from Potiphar's wife lands him in jail. When news of Joseph's gift to interpret dreams reaches the Pharaoh (wryly and riotously depicted as Elvis), Joseph is well on his way to becoming second in command. Eventually his brothers, having suffered greatly, unknowingly find themselves groveling at the feet of the brother they betrayed but no longer recognize. After testing their integrity, Joseph reveals himself leading to a heartfelt reconciliation of the sons of Israel. Set to an engaging cornucopia of musical styles, from country-western and calypso to bubble-gum pop and rock 'n' roll, this Old Testament tale emerges both timely and timeless.
Joseph and the Amazing Technicolor Dreamcoat (MEGAMIX)The Biblical saga of Joseph and his coat of many colors comes to vibrant life in this delightful musical parable. Joseph, his father's favorite son, is a boy blessed with prophetic dreams. When he is sold into slavery by his jealous brothers and taken to Egypt, Joseph endures a series of adventures in which his spirit and humanity are continually challenged. He is purchased by Potiphar where thwarting advances from Potiphar's wife lands him in jail. When news of Joseph's gift to interpret dreams reaches the Pharaoh (wryly and riotously depicted as Elvis), Joseph is well on his way to becoming second in command. Eventually his brothers, having suffered greatly, unknowingly find themselves groveling at the feet of the brother they betrayed but no longer recognize. After testing their integrity, Joseph reveals himself leading to a heartfelt reconciliation of the sons of Israel. Set to an engaging cornucopia of musical styles, from country-western and calypso to bubble-gum pop and rock 'n' roll, this Old Testament tale emerges both timely and timeless. This version of JOSEPH…DREAMCOAT features extended songs and dances. The Megamix is available as a separate rental with this version.
The King and IEast versus West makes for a dramatic, richly textured and ultimately uplifting tale of enormous fascination. It is 1862 in Siam when an English widow, Anna Leonowens, and her young son arrive at the Royal Palace in Bangkok, having been summoned by the King to serve as tutor to his many children and wives. The King is largely considered to be a barbarian by those in the West, and he seeks Anna's assistance in changing his image, if not his ways. With both keeping a firm grip on their respective traditions and values, Anna and the King grow to understand and, eventually, respect one another, in a truly unique love story. Along with the dazzling score, the incomparable Jerome Robbins ballet, 'The Small House of Uncle Thomas,' is one of the all-time marvels of the musical stage.
Knickerbocker HolidayIn 17th-century Manhattan, the roguish Dutch council eagerly awaits the arrival of their new autocratic governor, Pieter 'Peg-Leg' Stuyvesant. Hoping to make a good impression, and in the awkward position of having no one to hang on hanging day, they arbitrarily select an independent-minded young man for the unfortunate fate and we're off and running with a satirical fable pitting totalitarianism against democracy. This first musical to use historical perspective to comment upon contemporary political matters leaves virtually no aspect of government unscathed, with some hilarious and knowing results. Washington Irving, himself stepping in and out of the narrative as the plot unfolds, manages an eleventh hour turn of events for an upbeat conclusion to the delight of all concerned.
The Light in the PiazzaTHE LIGHT IN THE PIAZZA takes place in Italy in the summer of 1953. Margaret Johnson, the wife of an American businessman, is touring the Tuscan countryside with her daughter, Clara. While sightseeing, Clara-a beautiful, surprisingly childish young woman-loses her hat in a sudden gust. As if guided by an unseen hand, the hat lands at the feet of Fabrizio Naccarelli, a handsome Florentine, who returns it to Clara. This brief episode, charged with coincidence and fate, sparks an immediate and intense romance between Clara and Fabrizio. Margaret, extremely protective of her daughter, attempts to keep Clara and Fabrizio apart. As THE LIGHT IN THE PIAZZA unfolds, a secret is revealed: in addition to the cultural differences between the young lovers, Clara is not quite all that she appears. Unable to suppress the truth about her daughter, Margaret is forced to reconsider not only Clara's future, but her own hopes as well.
Lost in the StarsFor his final Broadway score, Kurt Weill gave passionate voice to this powerful, uncompromising social indictment of apartheid South Africa. The stirring story is of two aging men-a black country parson and a white British planter-drawn into friendship by a shared grief. The parson's faith is challenged by his son's unintentional murder of the planter's son, while the planter acquires faith through the loss of his son. Sadly, the years have not diminished the timeliness of the theme, which is the tragedy of all people, whether black or white, rich or poor, young or old.
Louisiana PurchaseThe plot machinations of this 1940 hit musical could have been ripped from today's headlines. Set in New Orleans, the musical lampoons Huey Long and his stronghold on Louisiana politics. When Senator Loganberry arrives in the Big Easy to investigate the dubious doings at the Louisiana Purchasing Company, it isn't long before he's set up for plenty of scandal himself. In his review of the recent Carnegie Hall concert - the first time the musical had been seen or heard since its original Broadway run - New York Times critic Lawrence Van Gelder posited, 'Does the South still produce corrupt Democratic politicians and businessmen? Are there still Republican senators eager to expose them to further their own Presidential ambitions? Is sex still a weapon in these wars?' LOUISIANA PURCHASE answers these questions with a gleeful wink of the eye and a score full of Berlin magic!
Marie ChristineThis powerful re-telling of the tragic Medea myth was hailed by the San Francisco Examiner as 'A major work by one of the most highly regarded new serious songwriters for the stage.' Set in the twilight years of the 19th century, MARIE CHRISTINE chronicles its doomed heroine's journey from her genteel life of privilege in New Orleans Creole society through betrayal and incomprehensible vengeance in boisterous Chicago. This gripping tale of one headstrong and passionate young woman's all-consuming love for an ambitious sea captain provides a tour-de-force for its leading lady. When it premiered at the esteemed Lincoln Center Theatre, the New York Daily News found it to be 'A brilliant re-working of Medea [that] manages at once to make it fresh and to retain its gut-wrenching compulsion.' MARIE CHRISTINE was the final Broadway musical of the 20th century, an extraordinary creation that investigates unsettling mysteries of the psyche that are as old as the human condition itself.
Me and JulietRodgers & Hammerstein's valentine to the theatre takes place both onstage and backstage during the production of a musical entitled-what else?-'Me and Juliet.' This show-within-a-show follows the romance between a chorus girl and an assistant stage manager leading to their secret marriage. Their happy union is threatened by the electrician who still carries a torch for the girl and, in a drunken rage, tries to kill them both. A contrasting romance involves the stage manager, whose credo never to fall for a girl in a show he's working on is complicated when a dancer he's been wooing is suddenly thrown into the cast of 'Me and Juliet.' Informed by rich insights into the world of Broadway-how jobs are gotten and lost, the inside tricks of the trade and the pitfalls of backstage romances-ME AND JULIET is an innovative, irresistible show that consistently delivers both musically and dramatically.
The MikadoGilbert and Sullivan are the undisputed masters of comic operetta and the proud parents of the modern musical. That their works are more in demand today than when they were created over a century ago is ample proof of their lasting brilliance. The hapless lovers in THE MIKADO are mercilessly buffeted by social restrictions, legal inconsistencies, judicial inequities, government stupidities, and that's just the first act! Poor dears - it would be absolutely tragic if it weren't so hysterically funny.
Miss LibertyIt is 1885 and Horace, a newspaper photographer, is fired when he bungles the important assignment of covering the Statue of Liberty ceremonies. At his girlfriend Maisie's urging, he goes to Paris in pursuit of the ultimate scoop-to discover the model who actually posed for the statue. When he finds her in sculptor Bartholdi's studio, Maisie sets about persuading the competing paper from which Horace was sacked to underwrite a U.S. tour for the model. What Horace doesn't realize is that he has the wrong model, and what Maisie doesn't know is that Horace has fallen in love with her. Upon their return from Paris, some antic and heartfelt complications ensue but a happy ending is inevitable when the statue is dedicated in a rousing patriotic finale that only Irving Berlin could have written.
Mr. PresidentFor his final Broadway score, Irving Berlin went straight to the top-the exalted office of President of the United States-to evoke the humanity within the First Family. President Stephen Decatur Henderson is en route to Russia when the proposed Soviet tour is canceled. Although a breach of protocol, he determines to land in Moscow nonetheless and the resulting humiliation costs him re-election. While his wife and two children are grateful to return home, the former President is not. He yearns to return to political life but when the offer of a Senate seat comes with compromising conditions attached, he turns it down. His love of country is primary though, and eventually he proudly returns to government at the behest of the new president.
No StringsA successful high-fashion model meets and falls in love with a writer in Paris. While this Pulitzer prizewinner has been trying to recover from a prolonged case of writer's block, he's assumed the dubious role of charming intellectual-in-residence at some of the Continent's more luxurious watering holes. As the model's work takes them on a whirlwind tour of the most exclusive European playgrounds, their romance develops into the first deeply-felt, honest relationship either has ever known. The model, however, ruefully comes to realize that the life-style demanded by her career is stifling the writer, and if he's ever to fulfill the promise of his earlier work, he must take responsibility for himself, go home, and write. Reluctantly, but with no strings, they part, each having discovered anew their capacity to love.
Oklahoma!Rodgers & Hammerstein's first collaboration remains, in many ways, their most innovative, having set the standards and established the rules of musical theatre still being followed today. Set in a Western Indian territory just after the turn of the century, the high-spirited rivalry between the local farmers and cowboys provides the colorful background against which Curly, a handsome cowboy, and Laurey, a winsome farm girl, play out their love story. Although the road to true love never runs smooth, with these two headstrong romantics holding the reins, love's journey is as bumpy as a surrey ride down a country road. That they will succeed in making a new life together we have no doubt, and that this new life will begin in a brand-new state provides the ultimate climax to the triumphant OKLAHOMA!
On Your ToesGangsters, vaudeville and the Russian Ballet come together in this riotous, romantic romp. Junior's folks pull him from the family's vaudeville act and pack him off to school where he becomes a music teacher. He meets Sydney, a composer, and Frankie, a coed who's fallen hard for him, and together they set about trying to sell Sydney's new jazz ballet to a Russian ballet company. The prima ballerina wants to teach Junior more than a few new steps, but with her assistance, 'Slaughter On Tenth Avenue' is produced with Junior dancing the lead. In one of the funniest set pieces ever devised, Junior dances the premiere while being shot at from the audience by thugs who've mistaken him for a dancer who owes on a gambling debt. This landmark musical was directed by the legendary George Abbott and choreographed by newcomer George Balanchine, whose use of ballet here marked the first time in musical comedy that dance was a direct proponent of the plot.
Once Upon a MattressIf you thought you knew the story of 'The Princess and The Pea,' you may be in for a walloping surprise! Did you know, for instance, that Princess Winnifred actually swam the moat to reach Prince Dauntless the Drab? Or that Lady Larken's love for Sir Harry provided a rather compelling reason that she reach the bridal altar post haste? Or that, in fact, it wasn't the pea at all that caused the princess a sleepless night? Carried on a wave of wonderful songs, by turns hilarious and raucous, romantic and melodic, this rollicking spin on the familiar classic of royal courtship and comeuppance provides for some side-splitting shenanigans. Chances are you'll never look at fairy tales quite the same way again.
One Touch of VenusModern art collector Whitelaw Savory unearths a long-lost statue of Venus of Anatolia and is thrilled to display her in his New York museum. But when a naïve young barber named Rodney unwittingly brings the statue to life, Venus fixes her affections on him and pursues him all over New York. Rodney’s shrewish fiancée doesn’t like this one bit, and Savory will do anything—including framing Rodney for murder—to recover his beloved statue. Rodney keeps trying to set things right, and poor Venus can’t understand why he doesn’t respond to her seductions. After a series of comic setups and mix ups involving a couple of thugs, a nagging mother, a wisecracking secretary, some ancient Anatolians and a good dose of Olympian magic, earthly order is restored and new love found.
Pal JoeyThe penultimate Rodgers & Hart collaboration introduced the first anti-hero to propel a musical. Joey is an opportunistic cad, but he always seems to land on his feet. He elbows his way into a job at a seedy Chicago nightclub and is soon juggling the affections of a naive chorus girl and a wealthy society dame who just happens to be married. Once Joey has charmed the socialite into setting him up in his own joint, he ditches the chorine and is riding high, playing the big-time operator. When a punk threatens to spill the whole business to the socialite's husband, she decides that she's bored with Joey anyway, dumping him and the club. Having had a taste of his own medicine, you'd think Joey would head back to the sweet kid who really loves him. Wrong. Some things never change, but you know what? He's still on his feet.
The Phantom of the OperaTHE PHANTOM OF THE OPERA is composed by Andrew Lloyd Webber, with lyrics by Charles Hart, additional lyrics by Richard Stilgoe, and a book by Lloyd Webber and Stilgoe. Based on the classic novel “Le Fantôme de l’Opéra” by Gaston Leroux, THE PHANTOM OF THE OPERA tells the story of a masked figure who lurks beneath the catacombs of the Paris Opera House, exercising a reign of terror over all who inhabit it. He falls madly in love with an innocent young soprano, Christine, and devotes himself to creating a new star by nurturing her extraordinary talents and by employing all of the devious methods at his command. Its sensational score includes 'Think of Me,' 'Angel of Music,' 'Music of the Night,' 'All I Ask of You,' 'Masquerade' and the title song.
Pipe DreamFrom the pages of Steinbeck, the drifters and dropouts along Cannery Row spring to life in this uncommon story of love and hope. When Suzy, a homeless girl, is picked up for stealing food, she's taken in by Fauna, the big-hearted Madam of the Bear Flag Café (which is no café at all). Here she meets Doc, a carefree marine biologist, and soon romance is in the air. Rodgers & Hammerstein struck a new tone with PIPE DREAM-intimate, warm and highly personal. It illuminates their benevolence for those searching outcasts who, although seamy and degraded, are infinitely capable of every emotion and longing felt by the more fortunate members of society. As sung by Doc at the top of the show, the soulful message is simple: 'It takes all kinds of people to make up a world.' Is there a better one? Currently Not Available.
The Pirates of PenzanceGilbert and Sullivan are the undisputed masters of comic operetta and the proud parents of the modern musical. That their works are more in demand today than when they were created over a century ago is ample proof of their lasting brilliance. We are pleased to offer reduced orchestrations based on the D'Oyly Carte originals for productions of H.M.S. PINAFORE,THE MIKADO or THE PIRATES OF PENZANCE. When the hero of THE PIRATES OF PENZANCE was but a boy, his father instructed his nurse to have him apprenticed as a pilot. She thought he said 'pirate' and thus the zany troubles began.
RagsWith great passion and humor, the story is told of Rebecca, a naive Russian immigrant arriving at Ellis Island with her young son, and their struggle to make a life for themselves in the New World. She goes to work in a sweatshop while searching for her husband who has preceded them to America. When they are finally reunited she discovers that his assimilation is not entirely for the best. His desire to change their name and strip away their ethnic culture so as to fit in with his cronies distresses Rebecca, whose gradual enlightenment leads her into union activities against the very men her husband so hopes to impress. Subplots concern an elderly immigrant, his daughter, and their respective romances, one of which ends tragically. This sweeping saga of awakenings and disappointments, of greed and power, of strength and love is as deeply moving and inspirational a musical as you could hope to present.
Reefer MadnessInspired by the original 1936 film of the same name, this raucous musical comedy takes a tongue-in-cheek look at the hysteria caused when clean-cut kids fall prey to marijuana, leading them on a hysterical downward spiral filled with evil jazz music, sex and violence. You won't be able to resist the spoofy fun of REEFER MADNESS. The addictive and clever musical numbers range from big Broadway-style showstoppers to swing tunes like 'Down at the Ol' Five and Dime' and the Vegas-style 'Listen to Jesus, Jimmy,' featuring J.C. Himself leading a chorus of showgirl angels. This dynamic show will go straight to your head! REEFER MADNESS is a highly stylized and satirical political commentary. It contains adult humor, religious parody, and drug use, as well as suggested violence and sexual explicitness. It therefore may be inappropriate for younger performers and audiences.
Show BoatSpanning the years from 1880 to 1927, this lyrical masterpiece concerns the lives, loves and heartbreaks of three generations of show folk on the Mississippi, in Chicago and on Broadway (and their life-long friends). The primary plot follows Magnolia, the naive daughter of the show boat captain, as she marries a gambler and moves with him to Chicago. His gambling continues as his debts compound, and soon he deserts her and their young daughter. A subplot concerns the potential arrest of Magnolia's selfless best friend on charges of miscegenation when it's discovered that she is mulatto, and her subsequent downward spiral into despair. The passing of time reunites Magnolia and her now-grown daughter with her family on the show boat as well as with her husband, who eventually returns offering a hopeful second chance at familial fulfillment.
Show Boat (Hal Prince Version)Since its premiere in 1927, SHOW BOAT has never stopped moving. For over seven decades this seminal musical has continued to evolve on a journey that has reflected the ongoing development of the lyric theater, confirming its status as the pivotal work bridging operetta and contemporary musical theater. After three film versions, numerous Broadway and London revivals, countless tours and recordings, legendary director Harold Prince took the helm for a new Broadway production in 1994 that instantly became the blockbuster hit of the season. With Oscar Hammerstein's eldest son William serving as advisor, Prince studied all previous versions of SHOW BOAT and, with the celebrated choreographer Susan Stroman, developed a version of the classic that was hailed as a triumph by critics and audiences alike. This epic musical spans 40 years in the lives of three generations of show folk, following theirs loves and heartbreaks, their ambitions and disappointments along the Mississippi River and in Chicago.
Song & Dance
SONG & DANCE is a unique tour de force comprised of two distinct parts. TELL ME ON A SUNDAY (Act I) follows a free-spirited English woman's acclamation to New York City through musical monologues and letters home to England, while highlighting her dalliances and disappointments with four men. VARIATIONS (Act II) offers a dynamic choreographic profile of one of those men. VARIATIONS, the 'dance' of the title, originated in 1979 when Andrew Lloyd Webber composed a set of variations on Paganini's A Minor Caprice No. 24 ideally suited for ballet. TELL ME ON A SUNDAY originated one year later as a one-woman musical consisting entirely of songs. Two years following, both works were presented in tandem and SONG & DANCE was born.
* The British version of SONG & DANCE is available for licensing by request. TELL ME ON A SUNDAY and VARIATIONS are available for individual licensing.