All Kinds of PeopleThroughout a career that spanned four decades, Oscar Hammerstein II used the theatre to promote human understanding. He continually tackled themes of racism and cultural bias, changing the very course of musical theatre in the process. ALL KINDS OF PEOPLE is a musical revue developed especially for schools (running time: 50 minutes) that addresses the dangers of prejudice, the importance of tolerance and the empowerment of self-esteem. These issues are considered through such songs as 'Ol' Man River' from Hammerstein's 1927 masterpiece SHOW BOAT, 'You've Got To Be Carefully Taught' from his Pulitzer Prize winning SOUTH PACIFIC, and many others from such beloved musicals as THE KING AND I, FLOWER DRUM SONG, THE SOUND OF MUSIC and CAROUSEL. Oscar Hammerstein believed wholeheartedly in celebrating our differences instead of fearing them, as simply and eloquently expressed in his musical PIPE DREAM - 'It takes all kinds of people to make up a world.'
Annie Get Your GunAnnie Oakley is the best shot around, and she manages to support her little brother and sisters by selling the game she hunts. When she's discovered by Col. Buffalo Bill, he persuades this novel sharpshooter to join his Wild West Show. It only takes one glance for her to fall head over heels for dashing shooting ace Frank Butler, who headlines the show. She soon eclipses Butler as the main attraction which, while good for business, is bad for romance. Butler hightails it off to join a rival show, his bruised male ego leading the way, but is ultimately pitted against Annie in a final shoot-out. The rousing, sure-fire finale hits the mark every time in a testament to the power of female ingenuity.
Annie Get Your Gun (Stone)ANNIE GET YOUR GUN scored a bulls eye when it returned to Broadway in 1999, starring Bernadette Peters and sporting a revised libretto by Tony, Oscar and Emmy winner Peter Stone. As Newsday reported, Stone's revisions 'are sweetly ingenious, and the show is a dream.' Stone reshaped the 1946 book to create a Wild West show-within-a-show that frames the ageless 'Anything You Can Do I Can Do Better' love story of sharpshooters Annie Oakley and Frank Butler. Stone has added a secondary romance between the younger sister of Frank's bothersome assistant Dolly, and a boy who is (to Dolly's horror) part Native American. 'The book has been updated in ways that pass p.c. muster,' reported Time Magazine, 'without losing all the fun.' Joined to the new book, of course, is that amazing Irving Berlin score, featuring hit after hit after hit. 'Irving Berlin's greatest achievement in the theater,' wrote the New York Post, ANNIE GET YOUR GUN 'will always be a musical for the ages, one of the Broadway theater's enduring triumphs.'
Babes in Arms (Guare)The 1937 version of Rodgers & Hart's BABES IN ARMS is the quintessential 'Hey, kids, let's put on a show!' musical, boasting one of the greatest scores ever written. A group of teenagers are left without adult supervision when their folks hit the vaudeville summer circuit, and the local sheriff is determined to send the loafers to a work farm. But the determined kids talk the sheriff into a two-week reprieve, just enough time to produce their own show and prove their mettle. The son of a wealthy Southerner agrees to bankroll the production but only on the condition that the two black kids (roles created by the legendary Nicholas Brothers) not appear in the show. The other kids are outraged, but of course the show must go on and does, in a succession of comeuppance, reconciliation and romance. The old-fashioned virtues of a 30's musical comedy are peppered with socio-political issues which have remained resonant for more than six decades, and which later became the hallmark of Rodgers' collaboration with Hammerstein. But it's the sophisticated jocularity that make his musicals with Hart utterly unique, propelling these talented teens in their onward march toward self-discovery. The 1959 adaptation by George Oppenheimer is also available. Please specify which version you would like when ordering.
Babes in Arms (Oppenheimer Version)This quintessential 'Hey, kids, let's put on a show!' musical boasts one of the greatest scores ever written. Set at a summer stock theatre, the plot concerns a group of young apprentices and their conviction to mount the original revue they've created while dodging the underhanded attempts of the surly theatre owner to squash their efforts at every turn. Further complications are provided by the overbearing stage mother of a beautiful ex-child star and the inflated ego of a hack southern playwright. But of course the show must go on, and so it does in a resolution of comeuppance, reconciliation and romance. This version is the 1959 adaptation by George Oppenheimer. The Original 1937 version is also available. Please specify which version you would like when ordering.
Big RiverTwain's timeless classic sweeps us down the mighty Mississippi as the irrepressible Huck Finn helps his friend Jim, a slave, escape to freedom at the mouth of the Ohio River. Their adventures along the way are hilarious, suspenseful and heartwarming, bringing to life your favorite characters from the novel-the Widow Douglas and her stern sister, Miss Watson; the uproarious King and Duke, who may or may not be as harmless as they seem; Huck's partner in crime, Tom Sawyer, and their rowdy gang of pals; Huck's drunken father, the sinister Pap Finn; the lovely Mary Jane Wilkes and her trusting family. Propelled by an award winning score from Roger Miller, the king of country music, this jaunty journey provides a brilliantly theatrical celebration of pure Americana.
The Boys From SyracuseTwins! More twins! Women-chased and chaste! The first musical ever adapted from Shakespeare remains the most madcap musical farce ever to animate the stage. Antipholus and his wily servant, Dromio, travel to Ephesus in search of their respective twins, from whom they were separated in a shipwreck. Naturally, they are immediately taken for their brothers and we're off and running on a riotous chase from marketplace to marital bed. Perplexed wives, disgruntled courtesans, outraged constables and an audience roaring with laughter are left in its wake before this show's tangled web is unraveled, and Rodgers & Hart & Abbott have triumphed once again!
CATS is no longer available to license through R&H Theatricals. Please visit www.themusicalcompany.com to license all Andrew Lloyd Webber shows.
A Christmas CarolThe Academy Award-winning composer Michel Legrand has teamed with Sheldon Harnick, one of the theatre's most celebrated Tony Award and Pulitzer Prize winning librettists, and the tale of Ebenezer Scrooge's prophetic Christmas Eve is reborn. From the pages of Dickens comes this scintillating musical adaptation of the Yuletide classic that continues to touch hearts and minds the world over. This universal story is ultimately one of family and conscience, of desperation and regret and second chances. Give your audience the holiday gift of embracing its warmth and wisdom as never before, carried on the wings of a soaring theatrical score.
CinderellaThe timeless enchantment of a magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance. Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's CINDERELLA was the most widely viewed program in the history of the medium. Its recreation in 1965 starring Lesley Ann Warren was no less successful in transporting a new generation to the miraculous kingdom of dreams-come-true, and so was a second remake in 1997, which starred Brandy as Cinderella and Whitney Houston as her Fairy Godmother. As adapted for the stage, with great warmth and more than a touch of hilarity, the hearts of children and adults alike still soar when the slipper fits.
Cinderella (Enchanted Edition)The timeless enchantment of a magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance. Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's CINDERELLA was the most widely viewed program in the history of the medium. Its recreation in 1965 starring Lesley Ann Warren was no less successful in transporting a new generation to the miraculous kingdom of dreams-come-true, and so was a second remake in 1997, which starred Brandy as Cinderella and Whitney Houston as her Fairy Godmother. As adapted for the stage, with great warmth and more than a touch of hilarity, the hearts of children and adults alike still soar when the slipper fits. This Enchanted Edition is based on the 1997 teleplay.
Double Trouble (A Musical Tour de Farce)Jimmy and Bobby Martin have the opportunity of a life time – writing a song for a major motion picture – except they have only a few hours to do it. From the creators of the hysterical revue MID-LIFE! THE CRISIS MUSICAL, DOUBLE TROUBLE (A MUSICAL TOUR DE FARCE) is a spoof of 1940s Hollywood in which 2 performers play 10 different larger than life characters. Written and originally performed by Bob and Jim Walton, this tale of singing, dancing and song-writing brothers, is sure to get you laughing and your toes tapping.
Face the MusicOriginally presented on Broadway by the legendary Sam Harris, FACE THE MUSIC opened at the New Amsterdam Theater on February 17, 1932, and ran for 165 performances, before touring and then returning to Broadway’s Forty-Fourth Street Theater. Sharply satirical, its humor both timely and timeless, FACE THE MUSIC combined a piquant Moss Hart script with a superlative Irving Berlin score that featured such soon-to-be standards as “Let’s Have Another Cup Of Coffee,” “Soft Lights And Sweet Music,” the ground-breaking “Manhattan Madness,” and the utterly unique “I Say Its Spinach (And The Hell With It).” After lying dormant for nearly seven decades, FACE THE MUSIC was lovingly and painstakingly restored by a team of musical archivists led by R&H Director of Music Bruce Pomahac. With an adaptation by David Ives, direction by John Rando and choreography by Randy Skinner, FACE THE MUSIC proved to be the discovery of the 14th season of City Center’s Encores!: Great American Musicals in Concert.
Flower Drum SongThe generation gap is given the Rodgers & Hammerstein treatment in this colorful approach to the age-old conflict. In San Francisco's Chinatown of the late '50s, nightclub owner Sammy Fong's traditional family has ordered him a picture-bride from China, hoping to end his pursuit of an enticing dancer. Mei Li arrives, shy and at sea in a world she doesn't understand, and it's clear that she's the wrong gal for the totally assimilated Sammy. However, she may be just the ticket for Sammy's buddy, whose traditionalist father is fighting a losing battle with his kids against rock `n' roll, baseball, sports cars and the typical trappings of the modern American life-style. By turns raucous and heartfelt, the solution to this delightful Chinese puzzle of properly matching the young people while reconciling the old is a celebration of American ingenuity.
Flower Drum Song (Hwang Version)'To create something new, we must first love what is old,' claims Mei-Li in Tony Award-winner David Henry Hwang's new adaptation of this Rodgers and Hammerstein jewel. The sentiment is obviously shared by the author himself, who has created something dazzlingly new while honoring the original material. Mei-Li flees Mao's communist China after the murder of her father and finds herself in San Francisco's Chinatown. This naïve young refugee is befriended by Wang, who is struggling to keep the Chinese opera tradition alive despite his son's determination to turn the old opera house into a swingin' Western-style nightclub. A unique blending of American razz-ma-tazz and stylized Chinese opera traditions creates a beautifully theatrical tapestry. The wonderful score, by turns lushly romantic and showbiz-brassy, retains all of its luster in this lovely new version of an American classic. Mei-Li's gradual assimilation is informed by her realization that the old and new can coexist when there is respect for both. It is in that spirit that R&H Theatricals makes available both the original and new versions of FLOWER DRUM SONG.
One of the most explosive movie musicals in recent memory bursts onto the live stage with exhilarating results. When Ren and his mother move from Chicago to a small farming town, Ren is prepared for the inevitable adjustment period at his new high school. What he isn't prepared for are the rigorous local edicts, including a ban on dancing instituted by the local preacher, determined to exercise the control over the town's youth that he cannot command in his own home. When the reverend's rebellious daughter sets her sights on Ren, her roughneck boyfriend tries to sabotage Ren's reputation, with many of the locals eager to believe the worst about the new kid. The heartfelt story that emerges is of a father longing for the son he lost and of a young man aching for the father who walked out on him. To the rockin' rhythm of its Oscar and Tony-nominated top 40 score (the soundtrack album reached number one on the Billboard charts and has sold over 15 million copies!) and augmented with dynamic new songs for the stage musical, FOOTLOOSE celebrates the wisdom of listening to young people, guiding them with a warm heart and an open mind.
Free to Be... You and MeMarlo Thomas conceived a children's book that, instead of telling boys and girls who they should be, would open them to the possibilities of who they could be. She gathered many of her supremely talented friends from various worlds of the arts and the remarkable result is highly regarded as a modern classic of children's literature. Life-enhancing themes are imaginatively blended with music and humor to expand children's personal horizons, enabling them to invent their own futures without limitation, while dispelling some old constraints and worn-out conventions in the process. Parents, teachers and other grown-up friends will delight in sharing this extraordinary and memorable experience with the children in their lives.
I Love a PianoI LOVE A PIANO is the celebration of the music and lyrics of Irving Berlin. It follows the journey of a piano as it moves in and out of American lives from the turn of the century to the present. Along the way, the story comes to vibrant life with over sixty of Irving Berlin's most beloved songs, including classics such as 'Blue Skies,' 'There's No Business Like Show Business,' 'Puttin' on the Ritz,' 'Cheek to Cheek,' 'Always,' 'How Deep is the Ocean,' 'Anything You Can Do,' 'God Bless America,' and, of course, 'I Love a Piano.' Alternately heartbreaking and hilarious, rousing and reflective, I LOVE A PIANO is a fitting tribute to the man Jerome Kern famously said had 'no place in American music - he is American music.'
I Remember MamaFor his final score, Richard Rodgers turned to a play he and Hammerstein had produced on Broadway 35 years earlier that had gone on to become a modern classic. Set in San Francisco following the turn of the century, this story of a Norwegian family's survival in the New World is told in retrospect by the eldest daughter, a successful writer recounting the start of her career and the childhood that inspired it. She takes us back to relive familial hardships and triumphs including the near loss of their home, Papa's desperate return to Norway when he can no longer find work, and the sale of her first story-this one. But, of course, it's Mama she remembers most of all, always guiding their precarious journey with a firm hand and a warm heart.
Joseph and the Amazing Technicolor DreamcoatJOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT is no longer available to license through R&H Theatricals. Please visit www.themusicalcompany.com to license all Andrew Lloyd Webber shows.
Joseph and the Amazing Technicolor Dreamcoat (MEGAMIX)JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT (MEGAMIX) is no longer available to license through R&H Theatricals. Please visit www.themusicalcompany.com to license all Andrew Lloyd Webber shows.
THE KING AND IEast versus West makes for a dramatic, richly textured and ultimately uplifting tale of enormous fascination. It is 1862 in Siam when an English widow, Anna Leonowens, and her young son arrive at the Royal Palace in Bangkok, having been summoned by the King to serve as tutor to his many children and wives. The King is largely considered to be a barbarian by those in the West, and he seeks Anna's assistance in changing his image, if not his ways. With both keeping a firm grip on their respective traditions and values, Anna and the King grow to understand and, eventually, respect one another, in a truly unique love story. Along with the dazzling score, the incomparable Jerome Robbins ballet, 'The Small House of Uncle Thomas,' is one of the all-time marvels of the musical stage.
Louisiana PurchaseThe plot machinations of this 1940 hit musical could have been ripped from today's headlines. Set in New Orleans, the musical lampoons Huey Long and his stronghold on Louisiana politics. When Senator Loganberry arrives in the Big Easy to investigate the dubious doings at the Louisiana Purchasing Company, it isn't long before he's set up for plenty of scandal himself. In his review of the recent Carnegie Hall concert - the first time the musical had been seen or heard since its original Broadway run - New York Times critic Lawrence Van Gelder posited, 'Does the South still produce corrupt Democratic politicians and businessmen? Are there still Republican senators eager to expose them to further their own Presidential ambitions? Is sex still a weapon in these wars?' LOUISIANA PURCHASE answers these questions with a gleeful wink of the eye and a score full of Berlin magic!
The Melody Lingers On'It is all history now - ancient history. The celebrated romance of the Catholic golden girl, born to millions, and the immigrant cantor's son from the Lower East Side.' So writes Mary Ellin Barrett in her biography Irving Berlin: A Daughter's Memoir, on which this biographical revue is based. In a life that spanned more than 100 years, and with a creative output of over 1,000 songs, Irving Berlin epitomized Jerome Kern's famous adage that 'Irving Berlin has no place in American music. He is American music.' Over a period of five decades, Berlin's outpouring of ballads, dance numbers, novelty tunes and love songs defined American popular music. This revue was developed at the distinguished Trinity School in New York City and introduced hundreds of high school kids to the work of a man whose name was only familiar to some as the composer of 'God Bless America.' As this new generation learned the story of the Russian Immigrant who started as a singing waiter at a saloon on the Bowery, they became increasingly exhilarated with the discovery of each new song. They also found in Berlin's marriage a compelling, contemporary love story. From Tin Pan Alley to Broadway, from Hollywood to tours of duty throughout Europe and the Pacific, the story of Irving Berlin is the story of this American century. Running Time: 2 Hours, 1 Intermission
Miss LibertyIt is 1885 and Horace, a newspaper photographer, is fired when he bungles the important assignment of covering the Statue of Liberty ceremonies. At his girlfriend Maisie's urging, he goes to Paris in pursuit of the ultimate scoop-to discover the model who actually posed for the statue. When he finds her in sculptor Bartholdi's studio, Maisie sets about persuading the competing paper from which Horace was sacked to underwrite a U.S. tour for the model. What Horace doesn't realize is that he has the wrong model, and what Maisie doesn't know is that Horace has fallen in love with her. Upon their return from Paris, some antic and heartfelt complications ensue but a happy ending is inevitable when the statue is dedicated in a rousing patriotic finale that only Irving Berlin could have written.
Oklahoma!Rodgers & Hammerstein's first collaboration remains, in many ways, their most innovative, having set the standards and established the rules of musical theatre still being followed today. Set in a Western Indian territory just after the turn of the century, the high-spirited rivalry between the local farmers and cowboys provides the colorful background against which Curly, a handsome cowboy, and Laurey, a winsome farm girl, play out their love story. Although the road to true love never runs smooth, with these two headstrong romantics holding the reins, love's journey is as bumpy as a surrey ride down a country road. That they will succeed in making a new life together we have no doubt, and that this new life will begin in a brand-new state provides the ultimate climax to the triumphant OKLAHOMA!
On Your ToesGangsters, vaudeville and the Russian Ballet come together in this riotous, romantic romp. Junior's folks pull him from the family's vaudeville act and pack him off to school where he becomes a music teacher. He meets Sydney, a composer, and Frankie, a coed who's fallen hard for him, and together they set about trying to sell Sydney's new jazz ballet to a Russian ballet company. The prima ballerina wants to teach Junior more than a few new steps, but with her assistance, 'Slaughter On Tenth Avenue' is produced with Junior dancing the lead. In one of the funniest set pieces ever devised, Junior dances the premiere while being shot at from the audience by thugs who've mistaken him for a dancer who owes on a gambling debt. This landmark musical was directed by the legendary George Abbott and choreographed by newcomer George Balanchine, whose use of ballet here marked the first time in musical comedy that dance was a direct proponent of the plot.
Once Upon a MattressIf you thought you knew the story of 'The Princess and The Pea,' you may be in for a walloping surprise! Did you know, for instance, that Princess Winnifred actually swam the moat to reach Prince Dauntless the Drab? Or that Lady Larken's love for Sir Harry provided a rather compelling reason that she reach the bridal altar post haste? Or that, in fact, it wasn't the pea at all that caused the princess a sleepless night? Carried on a wave of wonderful songs, by turns hilarious and raucous, romantic and melodic, this rollicking spin on the familiar classic of royal courtship and comeuppance provides for some side-splitting shenanigans. Chances are you'll never look at fairy tales quite the same way again.
Ordinary DaysFrom one of musical theatre's most exciting new composers comes ORDINARY DAYS, a refreshingly honest and funny musical about making real connections in the city that never sleeps (but probably should at some point.) ORDINARY DAYS tells the story of four young New Yorkers whose lives intersect as they search for fulfillment, happiness, love and cabs. Through a score of vibrant and memorable songs, their experiences ring startlingly true to life. ORDINARY DAYS is an original musical for anyone who's ever struggled to appreciate the simple things in a complex place. With equal doses of humor and poignancy, it celebrates how 8.3 million individual stories combine in unexpected ways to make New York City such a unique and extraordinary home.
PinocchioThe lonely old carpenter, Geppetto, carves himself a son from wood and no sooner is the job done than the boy springs to life. The timeless adventures of the puppet who yearns to be a real boy are magically brought alive with a vibrant score from the Tony and Pulitzer Prize winning lyricist of FIDDLER ON THE ROOF and the multi-award winning composer of ONCE UPON A MATTRESS. This beloved children's classic, devised for a combined cast of puppets and live actors, still amazes and delights, while instilling in youngsters the dangers of selfishness, the importance of honesty, and the power of love.
Rodgers & Hart - A CelebrationFrom their first hit song in 1925 through their final show-stopper in 1943, the prolific team of Rodgers & Hart was continually redefining the musical theatre with its wit, freshness and intelligence. In this rousing pastiche, the first act sets the stage for romance while the second act is comprised of their more satiric gems. The brief narration highlights the Rodgers & Hart story, but it's the songs that explain their success. Perhaps master tunesmith Irving Berlin summed it up best: 'Tuneful and tasty, schmaltzy and smart-music by Rodgers, lyrics by Hart.'
Show Boat (Goodspeed Version)
Created for a Reduced Cast and Orchestra.
Spanning the years from 1880 to 1927, this lyrical masterpiece concerns the lives, loves and heartbreaks of three generations of show folk on the Mississippi, in Chicago and on Broadway (and their life-long friends). The primary plot follows Magnolia, the naive daughter of the show boat captain, as she marries a gambler and moves with him to Chicago. His gambling continues as his debts compound, and soon he deserts her and their young daughter. A subplot concerns the potential arrest of Magnolia's selfless best friend on charges of miscegenation when it's discovered that she is mulatto, and her subsequent downward spiral into despair. The passing of time reunites Magnolia and her now-grown daughter with her family on the show boat as well as with her husband, who eventually returns offering a hopeful second chance at familial fulfillment.
This Version Originally Produced by Goodspeed Musicals; Michael P. Price, Executive Director; Adapted and Directed by Rob Ruggiero.
Show BoatSpanning the years from 1880 to 1927, this lyrical masterpiece concerns the lives, loves and heartbreaks of three generations of show folk on the Mississippi, in Chicago and on Broadway (and their life-long friends). The primary plot follows Magnolia, the naive daughter of the show boat captain, as she marries a gambler and moves with him to Chicago. His gambling continues as his debts compound, and soon he deserts her and their young daughter. A subplot concerns the potential arrest of Magnolia's selfless best friend on charges of miscegenation when it's discovered that she is mulatto, and her subsequent downward spiral into despair. The passing of time reunites Magnolia and her now-grown daughter with her family on the show boat as well as with her husband, who eventually returns offering a hopeful second chance at familial fulfillment.
Show Boat (Hal Prince Version)Since its premiere in 1927, SHOW BOAT has never stopped moving. For over seven decades this seminal musical has continued to evolve on a journey that has reflected the ongoing development of the lyric theater, confirming its status as the pivotal work bridging operetta and contemporary musical theater. After three film versions, numerous Broadway and London revivals, countless tours and recordings, legendary director Harold Prince took the helm for a new Broadway production in 1994 that instantly became the blockbuster hit of the season. With Oscar Hammerstein's eldest son William serving as advisor, Prince studied all previous versions of SHOW BOAT and, with the celebrated choreographer Susan Stroman, developed a version of the classic that was hailed as a triumph by critics and audiences alike. This epic musical spans 40 years in the lives of three generations of show folk, following theirs loves and heartbreaks, their ambitions and disappointments along the Mississippi River and in Chicago.
Smokey Joe's Cafe - The Songs of Leiber and StollerLeiber and Stoller, as much as anyone, virtually invented rock 'n' roll, and now their songs provide the basis for an electrifying entertainment that illuminates a golden age of American culture. In an idealized '50's setting, the classic themes of love won, lost and imagined blend with hilarious set-pieces and slice-of-life emotions. Featuring nearly 40 of the greatest songs ever recorded, SMOKEY JOE'S CAFE isn't just great pop music - it's compelling musical theatre.
Some Enchanted Evening-The Songs of Rodgers & HammersteinMore so than any composer and lyricist who have written for the stage, the songs of Rodgers & Hammerstein have become an integral part of our everyday lives. We sing them in the shower, we dance to them in ballrooms, we hear them on the radio and in clubs and, yes, in elevators and supermarkets too. We still thrill to them on the live stage in their respective shows, and we teach them to our children. This stunning collection of compositions places five performers in a theatrical setting-first 'backstage,' where the songs are sung as personal interplay, and then 'onstage.' While offering the performers an opportunity to explore the songs within their own styles and sensibilities, it offers the audience a glorious parade of genuine hits.
The Sound of MusicThe final collaboration between Rodgers & Hammerstein was destined to become the world's most beloved musical. When a postulant proves too high-spirited for the religious life, she is dispatched to serve as governess for the seven children of a widowed naval Captain. Her growing rapport with the youngsters, coupled with her generosity of spirit, gradually captures the heart of the stern Captain, and they marry. Upon returning from their honeymoon they discover that Austria has been invaded by the Nazis, who demand the Captain's immediate service in their navy. The family's narrow escape over the mountains to Switzerland on the eve of World War II provides one of the most thrilling and inspirational finales ever presented in the theatre. The motion picture version remains the most popular movie musical of all time.
South PacificSet in an island paradise during World War II, two parallel love stories are threatened by the dangers of prejudice and war. Nellie, a spunky nurse from Arkansas, falls in love with a mature French planter, Emile. Nellie learns that the mother of his children was an island native and, unable to turn her back on the prejudices with which she was raised, refuses Emile's proposal of marriage. Meanwhile, the strapping Lt. Joe Cable denies himself the fulfillment of a future with an innocent Tonkinese girl with whom he's fallen in love out of the same fears that haunt Nellie. When Emile is recruited to accompany Joe on a dangerous mission that claims Joe's life, Nellie realizes that life is too short not to seize her own chance for happiness, thus confronting and conquering her prejudices.
South Pacific: In ConcertSet in an island paradise during World War II, two parallel love stories are threatened by the dangers of prejudice and war. Nellie, a spunky nurse from Arkansas, falls in love with a mature French planter, Emile. Nellie learns that the mother of his children was an island native and, unable to turn her back on the prejudices with which she was raised, refuses Emile's proposal of marriage. Meanwhile, the strapping Lt. Joe Cable denies himself the fulfillment of a future with an innocent Tonkinese girl with whom he's fallen in love out of the same fears that haunt Nellie. When Emile is recruited to accompany Joe on a dangerous mission that claims Joe's life, Nellie realizes that life is too short not to seize her own chance for happiness, thus confronting and conquering her prejudices. This concert adaptation was created by David Ives for the Carnegie Hall benefit concert of SOUTHPACIFIC in 2006.
STARLIGHT EXPRESS is no longer available to license through R&H Theatricals. Please visit www.themusicalcompany.com to license all Andrew Lloyd Webber shows.
State FairRodgers & Hammerstein's only musical written directly for the screen is now a stage musical that's had critics raving from coast to coast. Set against the colorful backdrop of an American heartland tradition, STATE FAIR travels with the Frake family as they leave behind the routine of the farm for three days of adventure at the annual Iowa State Fair. Mom and Pop have their hearts set on blue ribbons while their daughter and son find romance and heartbreak on the midway. Set to the magical strains of an Academy Award-winning score and augmented by other titles from the Rodgers and Hammerstein songbook, STATE FAIR is the kind of warm-hearted family entertainment only Rodgers & Hammerstein could deliver!
A Time for SingingA lost treasure from the 1960s, A TIME FOR SINGING is based on How Green Was My Valley, Richard Llewellyn’s classic novel of a Welsh mining village. Librettist Gerald Freedman and Oscar-nominated composer John Morris weave a spirited and sentimental tale of the Morgan family and their struggles of love and labor at the turn of a century. Excellent for a large ensemble cast, A TIME FOR SINGING asks, “Do we ever know what we have, till we no longer have it?”
[title of show] (clean version)Jeff and Hunter, two struggling writers, hear about a new musical theatre festival. However, the deadline for submissions is a mere three weeks away. With nothing to lose, the pair decides to try to create something new with the help of their friends Susan, Heidi and Larry on the eighty-eights. With the cast in place, Jeff and Hunter begin a conversation about what to write about. Eventually, Jeff suggests they write about what to write about. They make a pact to write up until the festival’s deadline and dream about the show changing their lives. [title of show]—taken from the space on the festival’s application form which asks for the [title of show]—follows Hunter and Jeff and their friends on their journey through the gauntlet of creative self-expression. In the span of 90 minutes they write and perform their show at the festival and learn lessons about themselves as people, friends and artists. [title of show] is, above all, a love letter to the musical theatre—a uniquely American art form—and to the joy of collaboration. The musical received a Tony Award® nomination for Best Book of a Musical in 2009. [title of show] (clean version) is approved for high school performers and general audiences.
Touch of the ChildThe story of Mary and Joseph, chosen to nurture and protect the world's most precious gift, is theatrically extolled in this unique, extremely moving musical. The soaring score, romantic and with more than a little wit, illuminates the wonder and breadth of the Nativity while capturing its simpler, more evasive human aspects as well. Between the musical episodes appears a contemporary narrator who examines our relationship with faith, emphasizing the fragile humanity of all people. Originally conceived by Hollywood and Broadway veteran Max Showalter as a benefit performance, it was lauded by the likes of Mary Martin, Katharine Hepburn, Cole Porter, Ethel Merman, Irene Dunn, Ezra Stone and Richard Rodgers, all of whom believed this extraordinary musical should have a further life. TOUCH OF THE CHILD is a beautifully crafted musical portrayal of a family in which we can all see ourselves.
Two by TwoRichard Rodgers entered his seventh decade of writing for the theatre with this fresh retelling of the Biblical story of Noah. It seems that the building of the ark was only the first of Noah's many daunting challenges in a journey that wasn't always smooth sailing. By turns inspirational and hilarious, we discover that being chosen by God for great things does not necessarily simplify the daily demands made of a father and husband. It's good fun from The Good Book and when the land has dried, man and beast alike are invited to go forth and prosper in a bright New World.
Based on the beloved, timeless film, this heartwarming musical adaptation features seventeen Irving Berlin songs and a book by David Ives and Paul Blake.
Veterans Bob Wallace and Phil Davis have a successful song-and-dance act after World War II. With romance in mind, the two follow a duo of beautiful singing sisters en route to their Christmas show at a Vermont lodge, which just happens to be owned by Bob and Phil's former army commander. The dazzling score features well known standards including Blue Skies, I Love A Piano, How Deep Is the Ocean and the perennial favorite, White Christmas. WHITE CHRISTMAS is an uplifting musical worthy of year-round productions.
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