21 Chump Street21 CHUMP STREET by Lin-Manuel Miranda (IN THE HEIGHTS, HAMILTON) is a new 14-minute musical based on a true story as reported in the series 'This American Life'. 21 CHUMP STREET is a cautionary tale of a high school honors student who falls for a cute transfer girl. He goes to great lengths to oblige her request for marijuana in the hopes of winning her affection - only to find out that his crush is actually an undercover cop planted in the school to find drug dealers. 21 CHUMP STREET discusses the ramifications of peer pressure, conformity and drug use in our schools with a message that will stay with teenagers long after they leave the theater. Perfect for donor evenings, galas, special events and student/community outreach programs. [Running Time:14 minutes]
ALTAR BOYZALTAR BOYZ is a foot-stomping, rafter-raising, musical comedy about a fictitious Christian boy-band on the last night of their national 'Raise the Praise' tour. The Boyz are five all-singing, all-dancing heartthrobs from Ohio: Matthew, Mark, Luke, Juan and Abraham. With their tight harmonies and spectacular choreography, the ALTAR BOYZ will delight your audiences. As they perform their signature hits such as 'Rhythm In Me,' 'The Calling,' and 'I Believe,' the Boyz question their loyalty to each other and ask whether or not faith is really holding them together. They finally deliver a message of unity, that 'there is no star as bright as its constellation, no harmony in a single voice.'
Aspects of Love
ASPECTS OF LOVE is no longer available to license through R&H Theatricals. Please visit www.themusicalcompany.com to license all Andrew Lloyd Webber shows.
Beguiled AgainThe remarkable partnership of composer Richard Rodgers and lyricist Lorenz Hart spanned twenty-four years, resulting in the scores for thirty stage musicals and nine films. While their songs are acknowledged as among the most sophisticated and witty of their time, they could also be stunning in their simplicity and directness. BEGUILED AGAIN illuminates the astonishing breadth of their output with a musical menu offering nearly fifty selections from the incomparable Rodgers and Hart songbook. This cleverly compiled potpourri juxtaposes the urbane and the melancholy, the sardonic and the romantic, providing ever-changing and contrasting emotional journeys that give this revue real momentum. There is no linear plot or 'and then they wrote' narrative. Rather, the songs are grouped thematically in ways that allow them to tell their own stories and reveal their splendor in the process. Variety and vigor have always been the Rodgers and Hart hallmarks. Perhaps their illustrious compeer, Irving Berlin (who also knew a thing or two about songwriting) summed it up best with his famous maxim: 'Tuneful and tasty, schmaltzy and smart - music by Rodgers, lyrics by Hart.'
Bernarda AlbaA perfect show for a strong female cast, BERNARDA ALBA is a masterwork by Michael John LaChiusa, who has brought us such critically acclaimed hits as THE WILD PARTY and MARIE CHRISTINE. LaChiusa brings a musical voice to Federico Garcia Lorca's final 1936 masterpiece, The House of Bernarda Alba, through pulsing castanets, trilling Spanish guitars and resounding rhythmic stomps. BERNARDA ALBA tells the tales of a powerful matriarch, who imposes a strict rule on her household following her second husband's funeral: 'Not a breath of outside air is going to enter this house. It's going to feel like we've bricked up the doors and windows,' she proclaims. Bernarda's five daughters, however, struggle with her cold wishes. The girls' dreams and desires challenge their mother's harsh rules and the outside world begins to slowly permeate their isolated existence.
The Brain From Planet XA hilarious musical send-up of bad 50’s sci-fi movies, THE BRAIN FROM PLANET X tells the story of an alien invasion circa 1958. A Brain and its two alien cohorts arrive on Earth with a plan to take over the San Fernando Valley - starting with a happy nuclear family. It’s the first step on the road to their quest of taking over the entire planet and destroying the family unit. This rousing, toe-tapping musical features a dancing, singing brain ... what more could you want from a musical?
Bright Lights, Big CityBased on the novel of the same name, this show follows Jamie, an aspiring writer stuck in fact-checking, as he hides from pain and loss by partying in the drug-infested clubs of Manhattan during the 1980s. The rock-n-roll score provides a robust sound that echoes Jamie's inner torment as he wanders aimlessly through the city's seedy party scene. After losing his wife and job, Jamie spirals out of control. Fortunately for him, the bonds of family and the promise of love are strong enough to intervene and provide a way out. BRIGHT LIGHTS, BIG CITY carries the message of hope for the future, no matter what is at present.
Carrie the musical
Carrie White is a misfit. At school, she's an outcast who's bullied by the popular crowd, and virtually invisible to everyone else. At home, she's at the mercy of her loving but cruelly over-protective mother. But Carrie's just discovered she's got a special power, and if pushed too far, she's not afraid to use it…
Based on Stephen King's bestselling novel, the musical of Carrie hasn't been seen since its legendary 1988 Broadway production. Now, the show's original authors have joined with director Stafford Arima (Altar Boyz) and MCC Theater for a newly reworked and fully re-imagined vision of this gripping tale. Set today, in the small town of Chamberlain, Maine, Carrie features a book by Lawrence D. Cohen (screenwriter of the classic film), music by Academy Award winner Michael Gore (Fame, Terms of Endearment), and lyrics by Academy Award winner Dean Pitchford (Fame, Footloose).
Run Time: Approximately 2 hours and 8 minutes.
A Class ActAThe Tony Award winning lyricist of A CHORUS LINE was hell-bent on writing both the words and music for a Broadway show, a goal unrealized in 1987 when he died of cancer at the age of 48. Only posthumously would Ed's songs garner the acclaim they always deserved, in the biographical musical A CLASS ACT. Ed got his start in the BMI Musical Theater Workshop where he largely amasses the charismatic songbook that has been arranged in A CLASS ACT to dramatize Ed's often hilarious, ultimately heartbreaking journey. An ensemble of 7 inhabit the colorful gallery of friends and loved ones in Ed's life including the legendarily acerbic Lehman Engle, the relentlessly peppy Marvin Hamlisch, and Über-creative Michael Bennett. Fourteen years after his death, one of the theater's unsung champions finally got the recognition he always deserved in this vibrant musical about musicals.
The Decline and Fall...Eyes of Cole PorterBen Bagley, the proven master of revue, has concocted a tongue-in-cheek historic cavalcade from the rare jewels of Cole Porter's vast musical treasure trove. The 'world' under scrutiny is that between 1919 and 1945 when, indeed, some considerable declining and falling went on. Here, the generally unsuspected meanings behind many of Porter's songs indicate that during times of chaos and destruction, he saw the world with an impudent, highly sophisticated and indomitably euphoric gaze. Porter created a world of his own through his songs, and made ours richer in the process.
Do I Hear a Waltz?Leona, an unmarried American secretary 'of a certain age,' goes on a vacation to Venice where, under the spell of that enchanted city, she falls in love. The gentleman is an attractive, middle-aged shopkeeper, whose attentions give flight to her deepest dreams of romance. Too soon, however, he openly informs her that he is a contented family man, and Leona's hopes are dashed. She can, for a short time, harness romance, yet realizes that such a relationship would have nowhere to go. Still, might it be better than never having loved at all? This timeless story, which is the basis of the movie 'Summertime' starring Katharine Hepburn, remains a bittersweet testament to the complexities of the heart.
Double Trouble (A Musical Tour de Farce)Jimmy and Bobby Martin have the opportunity of a life time – writing a song for a major motion picture – except they have only a few hours to do it. From the creators of the hysterical revue MID-LIFE! THE CRISIS MUSICAL, DOUBLE TROUBLE (A MUSICAL TOUR DE FARCE) is a spoof of 1940s Hollywood in which 2 performers play 10 different larger than life characters. Written and originally performed by Bob and Jim Walton, this tale of singing, dancing and song-writing brothers, is sure to get you laughing and your toes tapping.
Dr. Selavy's Magic TheatreWelcome to the extraordinary odyssey of a confused young man, led by wacky doctors through a labyrinth of wildly theatricalized versions of major life crises and temptations -- wealth, sensuality, power, romance, lost innocence, and death. Presided over by the enigmatic Dr. Selavy (or C'est La Vie, if you like), himself an illusion created by master trickster Marcel Duchamp, this outrageous journey leads our hero in an ironic dance through an eccentric fun house of extravagant awakenings to a climax of self-knowledge and acceptance. To the strains of an eminently hummable and upbeat score, this offbeat piece provides an adventurous departure from the traditional expectations of musical theatre.
Eleanor - An American Love Story
A hit at regional theaters across America, ELEANOR - An American Love Story chronicles the remarkable journey of the shy, insecure aristocrat who was destined to become First Lady of the World. Warmth, humor and insight inform the evolving relationship between young Eleanor and Franklin, their passionate courtship, tumultuous marriage and the courage that eventually lead to Eleanor's emergence as a compelling catalyst for social change. By turns heartwarming and heartbreaking, the lush score, thoughtful lyrics and moving book make ELEANOR an uplifting celebration of the American spirit.